Grandpa Cheno and Other Stories

On his last night before going abroad, José goes out to a party with Milena, his best friend. The night will develop into a serie of events that will change their relationship forever.

Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.

Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired motorcycle racer, with whom he is forced to work, he will discover where his real home is.

Lina wants to become an animal and is willing to try it. Eduardo wants to tame her but can't. Primal Force explores the limits of a couple unable to engage.

Ana, a fifty years old woman falls into a depression when her husband leaves her. One day she decides to go out of this depression and starts changes from the outside to the inside. With the wakeness of desire she starts a process in wich she rediscovers her new sexuality.

Immersive documentary which takes us n an intimate journey to the inner life of public baths through the voices of three characters: Felipe, the main clerk since 1984; Juana, a street sweeper in Mexico City's downtown; and Jose, a frequent client of more than forty years. Bath of Life becomes a confessionary for those who gather around the same place: the sauna.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Five children are isolated with their father on a lonely beach after the death of their mother. As the days go by, the children start torturing their father.

Ivan, a Uruguayan political exile living in Mexico, returns to his country after his father's death. The reencounter with his empty home will push Ivan to look back in time in order to come to terms with the past.

A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.

Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.

To the beat of punk and pop, Valentina and Joana pursue their most intimate and deepest dreams. On the road to success, they will find obstacles that will test their friendship. The harshness and absurdity of their lives, fuses with the sweet and sour story of a world where the party seems to go on forever.

Is the story of women that were guerrilleras in Uruguay at the beginning of the 70's. Under an intimate focus, the film shows the moments of decision and the personal crossroads that it involve. The documentary search the experience and the look of common individuals in exceptional situations and goes to the bottom of the load of tensions, fears, contradictions and personal costs that those labor instants of the History have.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

Bruno, a novelist with no luck goes to call for help from his love always sofia, who is in Veracruz desolate without knowing what to do with the corpse of her boyfriend who died because of a heart attack while they made love

An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.

There are promises that are impossible to keep. My uncle José made such a promise as a child in 1963 to my mother Ana Luisa, to whom he declared a special kind of devotion. There are always bonds like this between siblings establishing mysterious complicites. This is what José declared to little Ana Luisa: "The day that you die, I´m going to die with you".