Batman: Strange Days

Journey of a man's visit to an all-male sex club bathhouse.

Mr Flower

Greed and hierarchy in the Caribbean reefs.

A stop motion film about an oddball felted character who slips through floors into the past and the deepest parts of his psyche in his pursuit of self-understanding.

Sonja lives a lonely life as a fishmonger, more at ease with her fish than her customers, until one day a delivery man turns up who looks like a rainbow trout.

Manny has moved to a new school, and it's not easy to fit in. After wishing he had more friends, Manny finds a mysterious collar and puts it on Rufus, the family dog. Suddenly, Rufus turns into a boy! Manny's not sure what to do, so he enrolls Rufus in school. When the other students notice Rufus's silly dog antics -- chasing squirrels, eating without utensils, asking for belly rubs, and catching a soccer ball with his mouth -- he immediately becomes the most popular kid around. Manny is jealous of his new best friend but eventually learns that a dog's loyalty to his owner always comes first.

One day, the Pretty Cures receive an invitation to a party in their honor. Everyone is heading to the party venue, the school of fairies, but awaits a mysterious shadow. The shadow steals transformation objects! What can they do? If the Cures can not be converted are in big trouble! If this continues, the school, our world and everything else will deborado by that shadow! The 32 Pretty Cures will fight to protect everyone!

A normal day turns into a day of adventure when an elevator that carries a boy does not stop where it should.

A girl lives locked in her home surrounded by a high hedge. When the wind carries onto her balcony dry leaves, empty shells, faded petals and other small fragments from the woods – she collects them to keep them indoors and admire their beauty. It will be the wind that accidentally forces her to leave the house, to venture beyond the hedge and to lead her to an encounter with nature and with her self.

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

"Chasing Stars" tells the magic journey of a young girl, who’s looking for her home and own place in the world. The journey takes place in the Arctic and the main character is helped by a very special friend, a Beluga whale.

Casey is upset about having struck out his last chance at bat but his wife suggests they have a son to follow in their dad's footsteps. Eventually, a child is born but, to Casey's dismay, it's a girl, not a boy. His wife suggests they try again several more times but each time, it's still another girl. Casey is depressed but his pals tell him that in spite of everything, they still make a powerful baseball team. Casey likes the idea and accepts. However, the day of the big game, he is nervous that one of them will strike out and attempts to make the last home run himself disguised as one of his own daughters.

Lucky finds himself in a bind - and it's going to take more than a Houdini act to get out of this situation.

Love and a severed foot at the end of the world.

The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from the diving board and then appear on the beach. The woman begins to play with a small dog and is then joined by a gentleman. The two play around on the beach before getting changed into bathing costumes and going into the water. They bob up and down in the water before swimming out of the scene. Once the couple have gone a man sails out in a boat.

For Kaleidoscope, which was sponsored by Churchman Cigarettes, Lye animated stenciled cigarette shapes and is said to have experimented by cutting out some of the shapes so that the light of the projector hit the screen directly. As in Colour Box Lye uses music by Don Baretto and his Cuban Orchestra. - Harvard Film Archive

This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive

Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction. - Harvard Film Archive

Lye completed his last great film a few months before his death at the age of 78. The film returned to the black-and-white techniques of Free Radicals. Lye created what he called “vibrant little images” or “zig-zags” with a sense of “zizz”. The clusters of small scratches gave the film a unique texture – the images looked rough but were in fact extremely subtle. The title Particles in Space referred to flashes of energy of the kind sometimes seen by astronauts in space. The soundtrack combined “Jumping Dance Drums” from the Bahamas with drum music by the Yoruba of Nigeria and the sounds of Lye’s metal kinetic sculptures. The opening titles demonstrated Lye’s mastery of the scratching of letters and words on film, a method imitated by other film-makers such as Stan Brakhage.