I've been following her for a week. I've got to kill Maria.
Presaging details and intent of the Charles Manson's cult and actions was not meant to be one of this film's greater attributes. It was, however, filmed uncannily months before the facts were known. The resemblance is oblique. The film: the mysticism of a "calling," a journey to be made, a vision in mid-desert to behold and oneness with it all. Filmed in Death Valley.
One night as Lena is walking home from a volleyball game when she begins to realise that someone is following her.
Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.
Alex returns to his village with Jordi, after a while, in order to celebrate San Juan night. However, due to a summer storm, they have to shelter in an old abandoned house where both played when they were children. In there, some conflicts of the past will turn up.
Fran has a picture and a goal: to beat up the boy who appears in it.
An incident from the early days of Québec's quiet revolution, tailor-made for the cartoonist. It is the story of a Montréal commuter train, a unilingual ticket collector and a bilingual passenger. The passenger appears on screen himself to describe his bid to have tickets requested in French as well as in English. What ensued, and how even the railway president became involved, is illustrated with wit and humor.
Steve is an upwardly mobile entrepreneur who believes he has come up with the next big thing - the next Rubik's Cube. "It's going to be bigger than Betamax!". The film covers his journey home from a super successful day at the office where he's all but closed the biggest deal of his life. Just a couple of mobile phone calls on the way home and it's in the bag. However, as he races back to celebrate with his wife and kids, we witness his fall from apparent certain victory to increasing infuriation - everyone's suddenly stopped taking his calls. His anger and desperation boils over when he can't get anyone on the phone....not his secretary, his investors, or his wife. All the while, the Zombie Apocalypse is happening around him; he's just too self absorbed to notice it... until he gets home.
A girl. A boy. A challenge. If we play the repeating game, how far would you go?
Kalle Kran works high above our heads in one of those building cranes. He sees almost everything, is a really nice guy and has a really strong crane. When things are wrong, he puts them right. There's no limit to what Kalle can fix.
A movie filmed almost entirely in the interior of a house on the outskirts of S.C. de Bariloche, on the shores of Nahuel Huapi Lake, over the course of one full winter and the beginning of a spring. The camera, through frame-by-frame tracking and panning shots, goes along revealing furniture, corners, objects and books, using rails in the first instance and a calibrated disk mounted on a tripod in the second. The house vibrates with its own life, revealing almost ghostlike traces and vestiges while the human presence is barely suggested. These shots alternate with others of the landscape: a lake, snow, bushes rattled by the wind, the passing of the seasons, external signs that accentuate the solitude of the interior spaces.
Clouds, mostly filmed frame by frame on the outskirts of Quarzazate, Tabount, Morocco.
A ‘divertimento’ performed in an abandoned premises of an Algerian tourist center, uninhabited in winter.
Fourteen year old Leander is being teased by the other boys at school because he thinks his willy is too small. The teasing gets worse when he falls in love with Martina who is helping him with his geometry homework. As a result the boys play a game in the changing room and use their protractor triangle from geometry to measure completely different things...
A mother and son attend a funeral for someone they really don't know, and intend to leave right after, but end up leading the procession to the burial.
German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.
During a Civil War battle, a soldier is transported through time, landing in New York City's Central Park in the year 1961. He then explores Manhattan and goes to Yankee Stadium in an attempt to locate other Civil War soldiers.
"As a contribution to Gerry Schum's 'Identifications', Beuys adapted for television the 'Felt TV' action previously staged for a live audience at a Happening festival in Copenhagen in 1966. It was the only Beuys action executed specifically for the camera. It opens with Beuys seated in front of a TV set showing a programme which is invisible because the screen is covered by felt. The boxing-gloves used later in the action lie at the ready beneath his chair."
Two young girls, liquor, an urban legend, and a scary abandoned house at night… What could possibly go wrong? Directed by George Luo and created by the students of Milton Academy 2016.
A BFI-produced documentary about documentary filmmaker John Grierson speaking about documentary.