A young woman, Veera, revolves around musician Janne. Janne is not interested, but what happens when Janne can't escape the situation.
Helma Sanders-Brahms directs this inventive film that uses the verse of Jewish poet Else Lasker-Schüler and Nazi poet Gottfried Benn to dramatize the passionate, real-life affair between the two unlikely lovers. Forced out of Germany, Lasker-Schüler makes her way to Jerusalem even as Benn discovers the true nature of the Nazi ideology he had once championed. Lena Stolze and Cornelius Obonya star.
This first feature by Amy Greenfield brings to the screen the story of the daughter of Oedipus in an emotionally relentless, visually stunning New Music Film Opera which challenges the conventions of narrative cinema to create a genre of its own. The 2500-year-old drama of the woman who defied the state to bury her brother is transformed through stark, ceaseless movement, haunting sounds and music (including themes from Glen Branca, David Van Tieghem, Elliot Sharp and Diamanda Galas) and words of outcry against our own world's injustice.
In the cold light of his computer, a young man makes dozens of nude photos of desire and sends them to anyone, in order to share his body and his solitude.
Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.
Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
A mother's quest to find her missing son leads her to the gates of Mictlán, a mystical place where souls parade to their final destination.
A twisted punishment puts two high school students to the test.
After moving into a new house, a man comes into contact with a dark primordial creature.
A radio compere is forced to take the late shift and finds her night going places she couldn't have imagined.
It's Serena's wedding day. The girl is worried about the absence of Nicola, her brother. Turns out she doesn't know that this day, which is so important to Serena, is probably not so joyful for Nicola.
Aided by an ex-military officer, a young woman becomes an unwitting fugitive after discovering that her son's catatonic state may be at the heart of a global conspiracy.
After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.
Every 15 seconds, a computer, network, or mobile device is hacked by cyber-terrorists. To combat this problem, Syntek Industries has manufactured data couriers designed from advanced machine robotics. These couriers are known as SYNCS. Syncs are programmed to securely deliver data packages without interruption.
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
On his daughter’s wedding day, a father struggles with the onset of his mental illness and tries to compose himself to be the person his family needs him to be.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.