The Improv: 50 Years Behind the Brick Wall

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.

Co-hosts Josh Bath and Samantha Newman have troubles with their early morning talk show when Josh gets dumped live on the air and battles through the five stages of grief.

When Brad gets fired from his job, he goes to reopen an old cinema, he enlists his frends to help him show the last film the cinema aired before it closed... Only they don't know, the film is in Italian. With everyone sitting ready they begin to dub the movie... on the fly!

Aspiring director Corky St. Clair and the marginally talented amateur cast of his hokey small-town musical production go overboard when they learn that Broadway theater agent Mort Guffman will be in attendance.

The Grand is in the tradition of improvisational comedies like Best In Show and This Is Spinal Tap. The story is set in the world of professional poker and follows six players who reach the final table of the world’s second most famous high stakes tournament, the Grand Championship of Poker.

While home during break and stoned out of his mind, a college student looks for advice from his friends on how to deal with the raccoon he saw in his garage.

A group of friends in a car give a ride to a stranger who will affect their lives indirectly.

What do you get when you put a truth-deficient small-group leader, an atheist, an in-the-closet Christian, and a Bible thumping improv troupe called Comic Evangelists together in a van? This Christian improv troupe wants to spread the Lord's word at a big city Improv Festival. But as they prepare for their big performance they get closer and closer to collapsing under their own secrets and lies. Will the group's faith be enough to get them through the experience that awaits? Produced on a shoestring budget and completely improvised by real-life improv troupe Crawlspace Eviction, this ensemble comedy takes on humor and faith with hilarious results!

Liberté, égalité, improvisez !

An irreverent group of teens - Thirty, Whoopie, Headguy, Pinky, Stinky, Jumbo, Giggles, and James - are thrown into a two-day panic-induced adventure after one of them discovers she's pregnant.

Montreux Comedy Festival 2017 - Best Of

Dissatisfied with the dishonesty they see in dating, strangers Naima and Sergio make a pact to spend 24 straight hours together in an attempt to fast forward their relationship.

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.

Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

This early travelogue film, made in a Kenyan train station, captures an impromptu musical performance. Some passengers eagerly join in while others sleep—blissfully unaware of the performance taking place around them.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

For 14 years Johanna and Boris live as a couple. Looking for her purpose in life, Johanna visits a seminar of the alternative community "Center for Inner and Outer Peace". Although she's still in love with her boyfriend, Johanna decides to change her life completely, moving to Switzerland to live in this community. Boris however is not amused. During the world-cup soccer finale, the couple experience its own crucial struggle.

An improvised film; a man discovers he's emotionally stuck between his ex-girlfriend, his new girlfriend and his best friend; and in the course of a day he must follow his passion and become unstuck.

Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies.