All Men Are Suspects

Danger and Kaspar are graffiti artists who have each been ejected from their respective crews. They decide to work on a project in honor of one of their deceased brethren.

A couple of thirtysomething best friends unwittingly become entangled in an international conspiracy when one’s ex-boyfriend shows up at their apartment with a team of deadly assassins on his trail.

General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.

Get ready for a Gold Medal murder mystery! This "tense, thrilling mystery" ('California Congress of Parents and Teachers') pits Charlie Chan against international spies who are using the Berlin Olympic games as the perfect cover...for cold-blooded murder!

A young shoemaker is arrested for stealing a small amount of money, and is jailed for fifteen years. Upon his release, he wants to get a permit to get a job and start anew, but finds that without a job he can't get a permit, and without a permit he can't get a job. Ensnared in the absurd net of Prussian bureaucracy, he can't see any way out. That is, until he enters a thrift shop and spots a Prussian officer's uniform that fits him like a second skin...

A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.

Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home

The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.

Two young Spanish men, with a university education, are tired of unemployment and decide to move to Germany. But soon they will find out that finding a better living is not as easy as they expected.

When a notorious German serial killer is captured after committing some of the most heinous acts against humanity ever imaginable, a farmer and police officer from a sleepy rural community on the outskirts of Berlin is drawn into the case as he searches for the answers to a murder that has shaken his tight-knit community.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

The paths of three men cross for a short time in post-war Berlin. Robert and Willy are unattached and unemployed, Georg has joined them from Hamburg, he has a family and occasionally does something crooked. That's what the three of them are up to together: A safe is to be cracked, the plan comes from Robert. Then Else shows up, a former girlfriend of Robert's who now lives with his buddy Willy. She is interested in Robert again, but he turns her down. Blind with jealousy, Willy nevertheless feels betrayed and rats out their joint scheme to the police. As they stand in front of the strongbox, they are surrounded by police officers. One of them, Inspector Stern, suddenly recognizes in Robert the man who saved his life during the war.

Ina, just released from prison, returns to the place of her childhood in search of life and meets the occasional desperado Domühl in her mother's house, which has been empty for thirty years. Hagen, a mentally handicapped resident, also ends up in this unusual landscape somewhere in the middle of nowhere south of Berlin in search of his uncle.

The two twelve-year-old girls Charlotte Palfy and Louise Kröger meet on a language trip to Scotland and discover that they are twins who were separated shortly after birth. Charlotte, the daughter of a music hall composer, is cool, self-confident and cheeky, dresses accordingly and listens to techno music. Louise, who grew up with her mother, an advertising executive, wears more "old-fashioned" clothes, is shy and reserved, but conscientious and orderly. Determined to play fate, the two swap roles - at the end of the journey, Louise travels as Charlie to her father, who works as a composer in Berlin-Kreuzberg, while Charlie travels as Louise to her mother in Hamburg, where she works in an advertising agency. The girls realize that getting their parents back together is not as easy as they thought.

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

Berlin Alexanderplatz; within 24 hours, various stories rotate between the heights and depths of the square, between the television tower and the subway shafts, between larger and smaller fates, that slowly but surely become entangled.

1998: After being committed to a drunkard's home by her friend Uschi, Edith is released 16 years later. Now she can finally take revenge on Uschi - by mixing mutation powder into her drink. But things turn out differently than expected! By coincidence, the two get into a timeslip and Uschi wins millions in the lottery, which she uses to buy a house with her mother and husband. Strange things start to happen there after the mutation powder takes effect...

At the Wannsee Conference on January 20, 1942, senior Nazi officials meet to determine the manner in which the so-called "Final Solution to the Jewish Question" can be best implemented.