The movie is about dictatorships in Greece – first, the Metaxas regime (1936-1940), and then the Colonels’ Junta (1967-74). In Part One, the Metaxas regime is depicted as a circus, where Thanasis (Thanasis Vengos) is a clown trying to conceal a young colleague’s subversive action. In Part Two, we see Thanasis suffer because of his honesty and kindness, in a country where the system’s irrationality is clearly evident.
In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.
Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!
Official recording of the original Mexican production of the musical Hoy No Me Puedo Levantar. Mario and Colate are a couple of friends who live in a small town. They share a dream: to travel to Madrid to form a musical group. Their arrival in a Madrid in cultural and social turmoil is accompanied by two drawbacks: they have no money and no record label is interested in their proposal. Gradually, however, they gradually get ahead. They get a job in a bar, "El 33", and meet a couple of nice musicians: Chakas and Guillermo. Together they form ""Rulé"", a group with which they win a contest that allows them to record their first single. Mario will know love at first sight when he meets María, a young actress. Colate, on the other hand, will get to know the dark world of drugs.
Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.
A sadder than sad story about a fun-loving optimist whose interest in comedy performance is despised by both his family and his wealthy future in-laws, Li’s tragic-comedy follows the 50-year-old father (Bao) as he maintains a dignified façade after losing his long-held accounting job in an occupied Tianjin in the 1940s.
Seeking a fresh start, a troubled young woman moves in with her eccentric aunt in a seemingly sleepy small town—only to find that the locals have unusual interest in her family’s past. As she delves deeper, the body count rises. This dark horror-comedy sequel/sendup to the 2006 film, examines inherited secrets, cultish clowns, and the fine line between laughter and terror!
John Hodge's Collaborators centers on an imaginary encounter between Joseph Stalin and the playwright Mikhail Bulgakov.
After moving to Chicago from the South just as the civil rights movement takes hold, the members of an African American family led by steely matriarch Weedy Warren have different reactions to the social upheaval surrounding them.
Separated at birth, two sets of twins collide in the same city for one crazy day, as multiple mistaken identities lead to confusion on a grand scale.
The Kitchen, Arnold Wesker’s "extraordinary black comedy," is directed by Bijan Sheibani and features an ensemble cast of 29 actors. The production is set in a restaurant in 1950s London.
The innovative interweaving of romance and math was conceived. The 2008 Olivier Award winner for Best New Play, it has toured the world and was recently performed in New York as part of the Lincoln Center Festival.
Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".
A lonely boy befriends a stray dog who has a natural talent for basketball and together they experience the highs and lows of life as their friendship remains solid through a series of escapades.
The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".
1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.
An out-of-work actor stumbles upon key to the universe, is drawn into intergalactic war between clowns and aliens.
Live from Stratford-upon-Avon. The Royal Shakespeare Company presents The Taming of the Shrew. Turning Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
The Last of Mrs. Lincoln depicts the final seventeen years of Mary Todd Lincoln's life, following her husband's assassination.
In June 2009, a group Britain's leading actors gathered for one night only to perform a celebration of the work of Harold Pinter at the National Theatre, directed by Ian Rickson. The team who made the acclaimed Harold Pinter documentaries for BBC's Arena was there to record this unique performance.