To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
Parabola is a celebration of film’s ability to create new ways of seeing the forms around us. Creating juxtapositions between light/shadow, stasis/motion, and form/music, this black-and-white short invites us to see the parabolic curve, or “nature’s poetry,” as both invigorating and beguiling.
A goat annoys Farmer Al Falfa and Puddy the Pup. He's always butting in. They fix the billy goat by putting roller skates on him.
Junior and Pudgy slip away from Betty Boop's care to go hunting with a pop-gun.
Mario and Luigi, plumbers from Brooklyn, find themselves in an alternate universe where evolved dinosaurs live in hi-tech squalor. They're the only hope to save our universe from invasion by the dino dictator, Koopa.
It is a story of the wire man who carried the protection of himself against associates to the point of absurdity, having altered his wife, his dog in a barbed wire, and he fenced off himself from the outwards things.
Tom, Dick and Harriet, a mischievous trio from Whiskers End, get more than they bargain for the day they skip school to play in the snow. Unfortunately, the kittens lose their way and wander into the Fearful Forest, domain of Freezelda the Ice Queen.
The Heretic is a short film created by Unity’s Demo team. With ”The Heretic”, the team used every aspect of Unity’s High Definition Rendering Pipeline, created advanced effects with the VFX Graph, and undertook the challenge of creating a realistic digital human.
A minimalist absurdist comedy about a martyr and torturers.
After discovering that John Milton is buried within London's Barbican grounds, Iain Forsyth & Jane Pollard reimagined his epic poem ‘Paradise Lost’ as part of Doug Aitken's Station to Station project. The piece uses the architecture and atmosphere of the Barbican to update the story, which is told in three parts.
A young teenage werewolf is torn between honoring her family's secret and her love for a man.
The story of an apparitious extraterrestrial and a vertically mobile prepubescent. "Dimension Loop" is an original animation by Koji Morimoto. This work displays visuals with a speed unlike any other piece directed by Morimoto. Unfolding visual images together with the gentle and in some ways nostalgia-evoking singing voice of Kicell, compel you to slip into the feeling of floating lightly on air. The refined sense of taste of the world of visual images is produced in a monotone. The characters transcend dimensions and link to each other…where do they finally end up?
Andy Panda goes to the circus, and the circus turns into a circus where a girl aerialist is rescued by her own false teeth; the acrobats and jugglers mangle each other; a girl trapeze artist loses her wig as a rope-spinning act goes haywire; and the drunken high-wire walker finds himself surrounded by pink elephants.
A girl dreams of becoming a kitten.
Julian is a child who fantasizes about seeing a mermaid. He treasures a collection of clues that he finds after each day of fishing with Chava, his father.
Bird poo fell in love with the hill but the hill is taken away high above the clouds. Poo is devastated. But then, a triangular telescope falls from the sky and it's showing what the hill is seeing.
While Pancho and El Toro are vacationing in Acapulco, a nearby hotel cook is desperate to find some frog legs to cook for the visiting French ambassador. But where is he going to find frog legs in Acapulco?
This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.
A sad Arabian queen is cheered by her attendants, a Queen Bee rules over a hive of adoring drones, and a teenage girl is transformed into a queen in a colorful musical fantasy inspired by old Hollywood musicals.
"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.