42/83: No Film

Asdrúbal Trouxe o Trombone

A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories, contributes to the film’s meaning.

Lord Angus Cameron's marriage to a woman of his titled Scottish class is thwarted by his secret marriage years before to Marion Hume, the housekeeper of the castle. Cameron attempts to repudiate the marriage, the only record of which is a certificate in the sunken wreck of a yacht, The White Heather. Marion goes to court to prove her claim and secure the rights of her son by Cameron, but is defeated. Alec McClintock, who is in love with Marion, and Cameron both want to recover the record, so they don diving suits and descend to the wreck. An underwater struggle ensues and Cameron severs his own air tube and drowns while attempting to cut off his rival's air supply. Alec then recovers the marriage record and wins Marion. —AFI

An autobiographical short film by photojournalist Tim Hetherington, focusing on the decade he spent as a war photographer.

What does he have that I don't?

The Flower of Doom is a 1917 silent drama film written and directed by Rex Ingram and starring Wedgwood Nowell, Yvette Mitchell, and Nicholas Dunaew. A reporter has to rescue a singer kidnapped in Chinatown.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A young boy imagines his mother to be an airplane who travels to exotic lands.

Heartbeat

Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.

'Project Censored: The Movie' explores media censorship in our society by exposing important stories that corporate media fails to report/under report. Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.

Donald is courting Daisy (called Donna, here in her first appearance) Duck in Mexico. He arrives on a burro, which doesn't get along at all well with her; she convinces him to buy a car. They head through the desert, but the car breaks down, and throws Donald out, then takes off on its own with Daisy trapped inside the rumble seat. The car hits a rock, throwing Daisy into a mud puddle, to Donald's excessive amusement. Daisy pulls a unicycle from her purse, and rides off.

In keeping with her vow, Hannah dedicates her child to God. From his days as a young boy serving Eli, the high priest, to guiding the ancient Israelites, Samuel the prophet stands as an inspiring example of how we, too, can delight in our relationship with God. This story brings to life several episodes from the life of Samuel and invites all to discover the joy of faithful service to God.

A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.

Mild-mannered Harry gets roughed up by a slum gang. Later he returns as a cop to see that justice is done.

A soldier returns home from World War I with a beautiful black horse that he saved on the battlefield, and names Thunderhoof. He enters the horse in a local race, hoping to earn enough money to save the family ranch of the girl he loves. However, the crooks intent on taking the ranch manage to capture a notorious wild horse and enter it in the same race, believing that it can beat Thunderhoof and thereby ensure that they're able to take the ranch.

The Poor Nut

Japanese silent film.

A documentary short film depicting the work of the motion picture director. An anonymous director is shown preparing the various aspects of a film for production, meeting with the writer and producer, approving wardrobe and set design, rehearsing scenes with the actors and camera crew, shooting the scenes, watching dailies, working with the editor and composer, and attending the first preview. Then a number of real directors are shown in archive footage (as well as a predominance of staged 'archive' footage) working with actors and crew.

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.