Hassan and Nayima

Seize the Day is about a man, Ray Stevenson (James S. Cacciatore) who had dreams of changing the world, but through some poor decisions he made in his life he has lost everything. Frustrated and dying of cancer he blames one man for his misfortune, his business partner Jon Peterman (Jay E. Salsberg). To get revenge he storms his former office building and takes him hostage. At the same time throughout the city high power businessmen are getting knocked off one by one. And its up to a Cal (David J. Plescia) a rookie Detective and his veteran partner Burke (Jay Storey), to solve these murders and how they tie into the recent hostage situation.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A young RAF pilot tests his father-in-law’s prototype supersonic aircraft to the limit, at a time of intense development in the field of aviation, just as commercial jet airliners are about to enter service.

A British scientist is discovered to have been passing information to the Communists, then kills himself. Another scientist decides that they might have brainwashed him by a sensory deprivation technique, but he doesn’t know if someone really can be convinced to act against their strongest feelings. So he agrees to be the subject in an experiment in which others will try to make him stop loving his wife.

Warsaw, Poland, 1953. Mr. T., a renowned writer, lives in a hotel and earns his living by giving private lessons.

An industrial plant gets into difficulties. The factory owner then decides to sell the company and makes all the employees redundant. How do the dismissed employees deal with the new situation?

Pharaoh Ramses II decrees the death of all Hebrew children, but Moses, placed in a basket on the Nile by his mother, is picked up by a princess and raised as the brother of the heir to the throne of Egypt.

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Plagued by cluster headaches that turn his life into a living horror, Adam secretly seeks euthanasia as a final escape. When Evelyn discovers his plan, they are forced to confront an impossible choice.

Amal raises her brother Nasr after the death of her father and husband in an Israeli raid on Suez in 1956. Nasr grows up and joins the Egyptian intelligence and travels to Greece to obtain an important microfilm, but he disappears after being kidnapped. However, he manages to hide the microfilm. Amal decides to travel to Greece to search for her brother. Both the Egyptian intelligence and the Israeli intelligence (Mossad) monitor Amal to obtain the microfilm, and the events of the film continue.

When a disenfranchised, world-famous photographer is interviewed by university students and presented with a portfolio of his life's work he is transported back to his very first photoshoot with a special yet mysterious subject.

Minah

Eider

With dreams of diving abroad, Tsuneo gets a job assisting Josee, an artist whose imagination takes her far beyond her wheelchair. But when the tide turns against them, they push each other to places they never thought possible, and inspire a love fit for a storybook.

The events revolve around the character of the girl Nemat (Sabah), who aspires to have a prosperous life to compensate for the suffering she has endured. Neamat pretends to be rich to lure the wealthy young man Hussein (Shukri Sarhan) into falling in love with her. Nemat's plan faces many difficulties and challenges as events unfold.

Ismail Yassin is in desperate need for money. He borrows from the wrong people, get framed for murder and goes to prison.

Al-Haz Al-Sa'eed

A famous actress retires and marries a rich man a customary marriage. Then his family forces him to divorce her. He waits till she gives birth and steals the marriage paper and escapes. Then she kills him with his new wife and is sentenced to imprisonment and her child is adopted by a family.

After the death of the girl's father, Berlanti, her means of life become more limited and her mother falls ill, so Berlanti is forced to work as a singer so that she can be treated. The lawyer Sami marries her, and as events unfold, Berlanti sees that she is standing in the way of Sami's success. She sacrifices her reputation so that he can leave her. He believes this and expels her. He marries the girl, Samiha, and as events develop, Berlanti is accused of murder.