Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Hans Teeuwen: Echte Rancune
All his shows have been sold out, night after night. The best of his shows has been compiled in one live show, "The Best of Najib Amhali".
Registration of the seventh solo show by the Dutch comedian Pieter Derks.
Stage registration of the seventh comedy special 'Troosten' by the Dutch comedian Jochen Otten. His inability to make his daughter stop crying was the reason for Otten to make this performance about emotions. How can you reach someone's emotions.
Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.
Television registration of the third program by the Dutch comedian Marc-Marie Huijbregts. Marc-Marie Huijbregts sketches a very intimate self-portrait based on personal anecdotes and reflections.
The Dutch musical comedians Theo Nijland, Maarten van Roozendaal, Jeroen van Merwijk and Kees Torn sing and play a selection of their songs to promote the Dutch theater song.
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
In her first show Jasperina de Jong sings songs about Sibylle, the last striptease dancer, about a Bach concert with a Woodstock vibe, about a nunnery where everyone gets addicted to mind-altering substances, about a provincial girl who travels to Amsterdam, and many more.
This show is a TV adaptation of Jasperina de Jongs second theater show. The show contains songs about abortion, about revolving flowers, about a man born with inexplicable suicidal tendencies, about the objectification of women and many more.
In the last theater show (1981) of the Dutch cabaret company Don Quishocking, the internal dispute is central. When George Groot returns from Pune, it appears that he has joined the Bhagwan movement. All group members deal with it in their own way, but it seems inevitable that the group members have grown apart.
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
Michael van Peel: Van Peel Overleeft 2013
Alex Agnew: The Legend Ends
Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.
Bert Visscher: Afijn
Registration of the fifth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two old friends meet in a Dutch park.