The Horse

Frankie Reynolds (Frankie Darro' ), youngest member of a family of jockeys, borrows $4.85 (yes, four dollars and eighty-five cents) from his sister Phyllis (Gladys Blake), who is not a jockey, to buy a crippled colt from the stables owned by Clay Harrison (Kane Richmond). He nurses the colt back to health, and in two years has one of the fastest horses in the country.

Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.

A country romance about the human streak in the horse and the horse in the human. Love and death become interlaced and with terrible consequences. The fortunes of the people in the country through the horses' perception.

A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.

'Sparke' Thorton, a lad with a penchant for trouble, is sent to live with his Uncle and Aunt Bolt in Indiana after his Aunt Henrietta Bolt dies. Though he's not happy about the arrangement at first, his love of horses and his affection for a young filly that he plans to race make life bearable. He also finds romance with tomboyish 'Char' Bruce who shares his love for horses.

Claimed by his grandmother, who lives in a Mexican village, Joselito begins the journey from Spain. Once there, while traveling in a stagecoach, is assaulted by bandits. Joselito manages to escape and, walking aimlessly, he meets Antoine, a rider who is ex officio of random player, and become close friends.

When a cunning murderer vanishes into the rugged mountains of the Pacific Northwest, pursuing FBI agent Warren Stantin must exchange familiar city streets for unknown wilderness trails. Completely out of his element, Stantin is forced to enlist the aid of expert tracker Jonathan Knox. It's a turbulent yet vital relationship they must maintain in order to survive... and one that becomes increasingly desperate when Knox's girlfriend Sarah becomes the killer's latest hostage!

Set against the backdrop of WWI Europe, a man and woman of different classes are brought together by their love of Lippizan horses.

A high-school graduate, a Japanese business man, and an abandoned horse face uncertain futures in a small town.

Katy McLaughlin desires to work on her family's mountainside horse ranch, although her father insists she finish boarding school. Katy finds a mustang in the hills near her ranch. The headstrong 16 year old then sets her mind to tame a mustang and prove to her father she can run the ranch. But when tragedy happens, it will take all the love and strength the family can muster to restore hope.

As the unforgiving forces of nature take their toll on humans and animals, the unexpected return of snow devastates the nomad family’s livestock. 11-year old Sukbhat is forced to leave his childhood behind. Now the hopes of the family rely on the young boy who should tame and race the wild horse. An intense relation between father, son and their wild horse shows how nature overwhelms and influences human beings. Nobody remains unscathed after being confronted with the powers of the steppe.

Animals on a farm lead a revolution against the farmers to put their destiny in their own hands. However this revolution eats their own children and they cannot avoid corruption.

In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

Horse racing provides the framework of this crime drama that centers on an orphan who has been raising a promising horse.

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.

Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.

Gene Autry and sidekick Frog Millhouse depart Madison Square Garden and NYC heading west for home in their car and a horse trailer carrying Gene's horse, Champion. They discover that Ronnie Willoughby, a young boy just off the boat from school in England, has hitched a ride, thinking that Gene and Frog were sent by his father to meet him. Ronnie thinks his father is a big rancher in the west and doesn't know that his father, Alfred Willoughby, is serving time in San Quentin prison because of a frame-up by the officials of a packing company. To keep the father from testifying against them, the packing company officials, Carter, Jenkins and Martin, have arranged for the boy to be kidnapped. Along the way a runaway bride, Joyce Halloway, and her young sister Patsy join the troupe.

The film is a narrative from the screenwriter, consisting of perverse scenes.