Painful Bliss: Final Twist

Minoru is dead. However, he was conscious for some reason and could not hide his confusion and surprise. His body doesn't move and he has no senses, but only his ears can be heard. The voice of his son and his wife, who lived together, made him wonder if he was going to night and died in a pitiful way. Even though it was a night out, his liquor-loving boy had removed his squirrel. Her son's daughter-in-law, Maya, came to Minoru, who couldn't yell at him and was amazed. She thought she was a well-made bride and wasted on her son. It also has a sexual meaning. Eventually, I heard the voice of an unknown man, different from her son. Maya called the man "Mr. Matsuda" and began to roar beside his body, uttering a hailless voice. Minoru's desire to see opened her one eye a little. But by that time things were done.

A comedy depicting the carefree lives of four female college students living in a dormitory at a women's university in Tokyo.

Sawaki is a postman who's not quite thrilled about his boring way of life. But his life is about to change when he delivers mail to his old schoolmate Noguchi, who's now a member of the Yakuza, the Japanese Mafia, and just finished cutting his little finger off.

Homma, a shy and hard-working car mechanic, said goodbye to Mao (Maya Sawamura), a delivery health girl who has forgiven her heart for three years. This is because he started dating with an office lady named Yurie (Meguri) who he met at a matchmaking party and got engaged. Mao was a little jealous when he realized that he secretly loved Honma, but wished for the relationship between adults and the happiness of Honma. On the way home one day, Homma found a dirty kokeshi doll, cleaned it with a handkerchief moistened with water, and placed it on the flowerbed. That night, a strange young woman (Yui Kawagoe) visited the room. She forcibly went up to the room and said that she was a kokeshi doll...

A young offender who is already guilty of many crimes is sentenced again for rape. Upon his release from prison, a year later, the victim waits to kill him.

A unique action-packed drama that tells the story of a Yakuza man who craves blood like crazy, unaware that he has fallen into a trap set by his younger brother.

It is the third film in the Gokudo series. In this episode, set in 1937, the main character of the series gang leader Shimamura is drafted into the military and fight in China.

Naomi who entered the prison for a younger brother. Female prisoners, Naomi starving for passion will experience various lynch. The world of the shocking imprisonment & abuse between the women who picturized the habits of female prisoners crazy about passion vividly!

Tendokai's Washio Kazuma, the underboss of Japan's largest crime syndicate, goes on the warpath when his blood brother and family turn up dead.

An American with a Japanese upbringing, Chris Kenner is a police officer assigned to the Little Tokyo section of Los Angeles. Kenner is partnered with Johnny Murata, a Japanese-American who isn't in touch with his roots. Despite their differences, both men excel at martial arts, and utilize their formidable skills when they go up against Yoshida, a vicious yakuza drug dealer with ties to Kenner's past.

An aimless and lonely call girl becomes involved with a detective who is looking for a underage runaway.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

A warring Yakuza awakens to Christianity and becomes an evangelist. The film is modelled on the real-life "Mission Barabbas," a Christian evangelistic group of ex-Yakuza.

A mysterious woman picks up an elite hockey player after a game. They spend a hot night at an estate, then she disappears. He becomes obsessed with her, and gets to see her in a strange show with white swan wings at a sex club, but is stopped by her entourage and asked to leave her alone.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

The cop Himuro is picked as scapegoat by his superiors because of their own involvement in sokaiya gangster practices.

An orphaned arsonist is interrogated by a detective, revealing his story of sexual abuse and trauma.

The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.