The Pickle Family Circus was founded by Lorenzo Pisoni's parents in 1974. The film documents the spirit, the lunacy, the daring, the danger and the dynamics of growing up in a circus family.
Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
The Moșilor Fair is an exercise by a student director who used his film before he had managed to finalize the originally planned movie. The result is a fascinating experimental montage, without music or sound of any kind, showing details of a legendary fair in the capital.
Amidst the approaching colorful circus performance, we looked underneath the big top to meet circus performers about their lives. The performers interviewed all worked for the established Cirque Italia's Water and Paranormal shows. Our main stars: Roxanne Midi, Margarita Denysova, and Alexander Acero took the audience away with their amazing stories about working in an athletic/entertainment career.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
L'art fait du bien 2
Insecticide, mon amour
UNIVERSUM cameraman Wolfgang Thaler and Bert Hoelldobler, a leading authority on ants, bring us face-to-face with the mysterious world of these social insects.
A story about survival, belief in the physical memory of things, as if still-life was always part of the scientific possibility or of the nightmare of extinction.
A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.
An examination of bodies, movement and the stillness of landscape brought to you by the entrancing Circus Debre Berhan.
A portrait of a traveling circus.
The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).
Come in under the Big Top for a behind-the-scenes look at the making of Cirque du Soleil's ninth creation, which critics have described as "the most dramatic, the most esthetic and perhaps the most melancholy show in the history of this marvelous circus" (La Presse, Montreal). Full Circle shows you the making of Quidam, from its very beginnings to its triumphant finish.
Welcome to the Cirque Du Bizarre, the fetish circus par excellence! On the program are artistic and erotic top acts: Sexy latex girls from the dollhouse fire devil Strecko, fetish magicians, chain goddess Brandy Wirtz, pony girl trainer Rubber Stacy, the fetish clowns of "Grandios Gnadenlos," Masuimi Max in a spectacular performance, latex sea lions by Mistress Sandra and much much more.
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
This is the story of a vegetable garden, from the first seeds to the harvest. But this garden is different, because here the gardener has decided to banish pesticides and other chemicals, and to be helped only by discreet workers, the insects. As we dive into the heart of this plant kingdom, we discover thousands of tiny lives that organize themselves as in a micro-society: decomposing insects, recyclers, pollinators, the workers of the garden work to maintain a fragile balance within the vegetable garden. As the plants grow and begin to produce their first vegetables, the incredible interactions between insects and plants help protect the future harvest. But it is also their personal stories that punctuate the life of the garden. Between parades, mutual aid and attempted putsch, the story of the vegetable garden thus takes the form of a true nature tale.
Cirkus Kludský
Luis Buñuel’s observation – “You can find all of Shakespeare and de Sade in the lives of insects” – was the inspiration for this experimental horror movie, in which human actors wordlessly enact the life-cycles of wasps and bees. Its purpose is to depict with emotion, humor and unnerving specificity an alternative society that really exists and has nothing to do with human beings. A highly stylized depiction of nature in all her deceitful glory.