Smith's Army Life

The Deadlier Sex features Blanche Sweet playing the daughter of a railroad magnate (Winter Hall) who has to take charge when her father unexpectedly dies. She uses her outdoor survival skills to kidnap a business rival to save the company from a stock market struggle. Preserved by the Academy Film Archive.

When a wealthy young lady leaves the US to visit her aunt in France, her husband falls in love with a "flapper". When the wife returns home, she finds out about her husband's affair. In order to make him jealous, she leads him to believe she has fallen for a jazz musician. However, instead of making him jealous it drives him into depression and he takes refuge in booze and even more affairs.

Exasperated by his playboy son, a wealthy man sends him to Canada to become a Royal Canadian Mountie, in hopes that the young man will learn something about life.

After arranging for wifey to land a job as the café's cashier, Mann warns her not to reveal that they're married, lest proprietor Slim Summerville fire them both. The trouble begins when both Summerville and headwaiter Bobby Dunn fall for Pierce, driving Mann into paroxysms of insane jealousy.

"Films Confiscated from a French Brothel" is a bare all Avant-garde Anthology homage to silent stag films.

Anita and Marion take a temporary job as waitresses in Max's diner, next to a train station. When the train stops off, pandemonium erupts when the passengers fill the diner and all want meals immediately. This film only survived in parts.

Descansa muy en paz, Amancio

There and Back

When jealousy and envy lead Mary Vantyne to make a foolish decision and commit an impulsive act she sets off a series of events that nearly bring heartbreak to all those in her circle.

Villains launch Fatty and Mabel's beachfront house into the ocean.

A young man impersonates his best friend, and in doing so upsets the decorum at a stuffy family gathering and falls in love. The arrival of a gang of hoodlums further disrupts the formalities, but our hero thwarts them and saves the day.

Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.

A spoiled young rich girl is forced by misfortune to fight for survival in the slums and alleys, where she becomes involved with all manner of unpleasantness.

A young farm maid overhears two cow-hands talking in the barn, and she becomes convinced they’re about to rob her. She barricades herself in a room and calls the police. Her call wakes the chief, who rallies the country justice constabulary and they set off toward the farm, in steam-car and on foot. Meanwhile, the maiden’s parents rush to save her. Everything points toward a showdown in the barn, where no one, including the police force, will be cowed.

Two cavemen, The Duke and Stonejaw Steve, call on Miss Araminta Rockface. The hated rivals fight, and Steve wins when he throws The Duke into a pot of boiling water. A title card introduces a third rival, "our unassuming hero, Theophilus Ivoryhead." Miss Rockface invites the three men into her father's drawing room/cave, apologizing for not offering tea, since it has not been discovered yet. The Duke and Steve fight again, and everyone rushes out of the cave. Mr. Rockface notices his pot of food is empty; earlier, Wild Willie the Missing Link had eaten it. Mr. Rockface tells the three suitors they will have to procure their own dinner. Steve locates a desert quail and shoots an arrow at it, but the arrow misses the quail and happily (for Steve) hits The Duke's behind. Meanwhile, Wild Willie is still hungry and goes hunting for snakes. He finds a dinosaur's tail instead...

A caveman falls victim to a prehistoric prankster, but he is avenged by his pet chicken.

Felix the Cat can't find anything to eat, so he bribes Father Time to send him back to when life was easier. However, the Stone Age turns out to have its own problems.

A wealthy bachelor lies his way out of a speeding ticket by telling the cops he's on his way to visit his baby girl in hospital - ever helpful, they accompany him whereupon a little girl attaches herself to him, with hilarious results.

"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then?

A vaudeville routine: two denizens of the Bowery dance while under the influence. She's wearing a light dress with a full skirt. He wears a white sport coat and tie. Both have hats. On a small stage, she approaches him gingerly, leaning forward. He grabs her close, she leans into him, and he waltzes her around.