Take Care France

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

Tour Eiffel

In a small town in post-WWII France, 16-year-old Janine tries to improve her conditions by any means necessary. Three people—Michel, a married lover; Raoul, a fellow thief; Mauricette, a photographer she meets in prison—will help her learn from her mistakes.

Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.

Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.

David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

A comedy-drama about marriage and divorce. A wife does not want children, her husband leaves her and marries a woman who does.

Life in the African country of Mali in the 1990s is vividly highlighted in this mild drama. In the story, a young forest ranger who sees that his work holds the key to the future of his country (through reforestation) is disgusted at the short-sighted, money-grubbing ways of his superiors. He has a much better relationship with local villagers than with his agency's bosses. As the movie opens, the villagers are preparing to hold a hunting ceremony but are not sure whether they will do it the old fashioned way, with a bonfire, or will obey a government decree that open fires are too dangerous. There is a lot of sexual teasing between the villagers, including some harmless horseplay. For instance, when a man whispers another woman's name in his sleep, his wife pours water into his ear in revenge.

A beautiful woman, Sandra, seduces a wealthy businessman, Miles Rennburg. Little does he realise that she has been sent to kill him at the behest of her boyfriend/crime partner, Lester. Controlling all this is Sue, Lester's wife.

Back home in Bujumbura with a Parisian diploma in his pocket and expecting to walk into a civil service job, Gito finds himself both unemployed and caught between two women: his current French girlfriend Christine and his local old flame Flora.

A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the most extravagant rewards. One day someone exposes him, and the sorcerer becomes the laughing stock of the whole village. Desperate, he throws himself of a cliff.

Richard, a 40-year-old filmmaker conquered by an unexplained anxiety attack, lets go of his current shoot and wanders through nocturnal Paris, in search of answers, solace and inspiration. During this sleepless night, at random encounters, sometimes warm, sometimes disturbing, crossing foreign figures, unknown bodies or familiar faces, Richard will face his fears and question his deep desires... until dawn.

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

A beautiful and mysterious woman helps an inept scam artist get his game together... but is their meeting purely coincidence?

PK, an English orphan terrorized for his family's political beliefs in Africa, turns to his only friend, a kindly world-wise prisoner, Geel Piet. Geel teaches him how to box with the motto “fight with your fists and lead with your heart”. As he grows to manhood, PK uses these words to take on the system and the injustices he sees around him - and finds that one person really can make a difference.

When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.

Famed swordsman and poet Cyrano de Bergerac is in love with his cousin Roxane. He has never expressed his love for her as he his large nose undermines his self-confidence. Then he finds a way to express his love to her, indirectly.