Bulunmaz Uşak

A young writer, John Hale, inherits a fortune and moves into an alleged-haunted castle with his servant "Rusty." He discovers the 'hauntee' to be Countess von Baden, hiding in a secret chamber with her son, whom the court has awarded to her divorced husband.

Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.

A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

An ex-thief is accused of enacting a new crime spree, so to clear his name he sets off to catch the new thief, who’s imitating his signature style.

Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?

After a rough divorce, Frances, a 35-year-old professor and writer from San Francisco takes a tour of Tuscany at the urgings of her friends. On a whim she buys Bramasole, a run down villa in the Tuscan countryside and begins to piece her life together starting with the villa and finds that life sometimes has unexpected ways of giving her everything she wanted.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

This outrageous time-travel comedy follows the misadventures of a wacky medieval knight (Jean Reno) and his faithful servant when they are accidentally transported to contemporary times by a senile sorcerer. Mayhem rules as these 12th-century visitors try adapting to the wildly confusing modern world. To avoid being stuck here for good, however, they soon begin an all-out cosmic assault on their former castle -- now a luxury hotel -- in their quest to return to the past.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

An adventure of the hapless Bertie Wooster, a young gentleman about town with a penchant for getting himself into personal difficulties, particularly with women. It is inevitable left to his unflappable manservant Jeeves to provide tidy and elegant rescues.

An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she's loved has always been met with tragedy.

The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

A little girl goes in search of her father who is reported missing by the military during the Second Boer War.

Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.

A woman and her husband take separate vacations, and she falls in love with another man.

When 5 allied generals are captured in Italy in WWII, it is a propaganda nightmare for the allies. The generals are all 1 star and refuse to take orders from each other in order to plan an escape. Harry Frigg is a private who has escaped from the guard house dozens of times. He is promoted to Major General and ordered to get the generals out once he is captured. Harry is willing to escape, but then he meets the countess...

After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Although a successful romance novelist, Terry Russell hasn't had luck in her own love life. After a disastrous first date with cocky, hot-shot New York chef Matthew Everston, she retreats to her friend's French villa for the summer to finish her latest novel, with her reluctant teenage daughter in tow.