Viet Flakes

During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.

In the midst of the ongoing conflict in Afghanistan and Pakistan, a gifted child makes an extraordinary effort for his people.

This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA

Jack Kelley volunteered for Vietnam. As an army captain, he routinely led his company of 140 men on patrols in the jungles near Biên Hòa. Ill-conceived orders came down from higher command: On June 29, 1966, Capt. Kelley was to spread his platoons 1,000 meters apart in order to cover more area while looking for Vietcong forces. During the patrol, the 3rd platoon stumbled upon an embedded Vietcong main force battalion. Outnumbered by nearly 10 to 1, the platoon was blindsided by a fierce attack. The triple-canopy jungle was dense and the terrain muddy, making rescue all but impossible. The film is a journey to understand what the filmmaker's father and seven survivors went through in 1966, and what they continue to go through today. Some volunteered for the army as teenagers. Others were drafted. Some went back to Vietnam years later with the hope of finding closure and peace.

Set in a German theatre after the Second World War, two British soldiers are holding a disparate and hostile band of refugees in this theatre, prior to returning them to their homelands. The soldiers have difficulty dealing with the rivalries between Serb and Croat, resistance fighter and collaborator, Pole and Russian, etc. The threat of plague briefly unites them, but eventually even this wears off and the refugees unite in their hostility to the British.

When the path to safety has been destroyed and you’re forced to abandon your life because the enemy is at the gates, all that’s left to do, is save your home in your heart.

The film is anchored by a wartime re-encounter between a servant child and a tutor, transformed in the crucible of the spring 1968 Saigon offensive.

During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.

Vietnam 1967: Military intelligence has collapsed, Viet Cong have infiltrated the clandestine American spy network, and the U.S. can't rely on the South Vietnamese. John Murphy, then an elite adviser, analyst, and operative for the Army, CIA, and South Vietnamese intelligence services, reveals the gray areas of critical, on-the-ground intelligence work, where trust is hard-won and easily lost.

Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.

This animated short by Norman McLaren is a publicity message for a war bond campaign. Symbols, a stick man and lettering are drawn directly on 35mm film stock and synchronized with a brass band rendition of Sousa's march "The Thunderer."

The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising.

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

Ukraine, 1946. Orest, commander of an insurgent squad, is in a hideout together with his pregnant wife Eva and several fighters. The NKVD surrounds the insurgents. The captain of the commissariat squad gives Orest a choice: he either gives Eva out or accepts an unequal fight.

U.S. Navy pilot Lt. Jake Grafton and his bombardier buddy, Lt. Cmdr. Virgil Cole, are two soldiers embedded in the Vietnam War growing frustrated by the military's constraints on their missions. Despite the best efforts of their commanding officer, Cmdr. Frank Camparelli, to re-engage them, this disillusioned pair decide to take the war effort into their own hands with an explosive battle plan that could well get them court-martialed.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Faith of My Fathers is based on the story of Lieutenant Commander John McCain's experiences as a prisoner of war in North Vietnam for five and a half years during the Vietnam War, interleaved with his memories of growing up in a heritage rich with military service.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.