Flight 666 documents the first leg of Maiden's legendary Somewhere Back In Time World Tour which took them 50,000 miles round the planet playing 23 concerts on five continents in just 45 days. One of the stars of the movie is the band's customised Boeing 757, Ed Force One, which carried the band, all their crew, 12 tons of stage equipment and was piloted by airline captain and singer Bruce Dickinson. The movie gives a close up behind the scenes look at what happened on and off stage, when Maiden gave full access to a film crew for the first time ever, and contains some of the most spectacular live footage yet seen of Maiden. If you want to know what it is like to be part of the most adventurous tour in rock history, you can't miss seeing this.
Olsen and Johnson, a pair of stage comedians, try to turn their play into a movie and bring together a young couple in love, while breaking the fourth wall every step of the way.
Grammy winner Michael Bublé performs songs from his album "love" and other classic hits.
Featuring the classic Foreigner line-up of Jones, Gramm, McDonald, Greenwood, Gagliardi and Elliott, this show captures the essence of a group who would go on to become one of the best-selling bands of all time. On April 27 1978 rock's conquering heroes played a sold-out show at London's legendary music venue, the Rainbow Theatre.
A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.
One of the world's biggest bands returns to the scene of their Live Aid triumph (one year earlier in 1985) to play all their greatest hits in front of a packed Wembley Stadium.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.
Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.
Youth from different social classes in Beijing come together to form China's best dance crew and learn what it really means to be family.
This intimate, in-depth look at Beyoncé's celebrated 2018 Coachella performance reveals the emotional road from creative concept to cultural movement.
From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"
A tour guide accompanies a beautiful multicultural group to discover Milan. But among them there is someone who is not a tourist.
When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.
Bette Midler hit the road for the first time in four years with her 2003–2004 Kiss My Brass concert tour, performing well-known hits and characters, as well as selected songs from her release, Bette Midler Sings the Rosemary Clooney Songbook. The tour hit the top 40 cities across the U.S. with one stop in Toronto, Ontario, Canada. 10 Australian dates were added in April and May 2005. It was the first Australian tour for Midler in 26 years. This program was recorded 18th January 2004 at Madison Square Gardens.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir which is not easily accepted by the town yet the choir builds a great love for their teacher.
In the dead of winter, a musician travels to a remote cottage to work on new material, but soon finds herself under attack from a mysterious dark presence.
Coroner – Autopsy - The Years 1985 - 2014 In Pictures
The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.