T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s

Follow the emotional journey of Hiba Noor, a talented artist forced to flee her home country, as she navigates a new life in London while awaiting her asylum fate. This film takes you on a journey into the production of MATAR, a short film about a fellow asylum seeker facing similar problems.

A documentary that proposes to create a dialogue between LGTBQ+ of different ages to show and discuss the challenges of aging as part of this community.

Filmed live from the 1993 revival, Sam Mendes' directorial debut takes place at the Donmar Warehouse in London's West End. Jane Horrocks stars as cabaret girl Sally Bowles, Adam Godley as the bicurious Cliff, and Alan Cumming as the eccentric Emcee. Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally and the impish Emcee sound the clarion call to decadent fun, while outside, a notorious political party grows into a brutal force.

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

Float is an artistic 4-5 minute film shot completely underwater of trans folks swimming naked set to music by trans musician Rae Spoon.

Kaio Brandon is a male prostitute trying to find himself in the big city. He has been selling his body for money since he was 14, unaware that many others like him are part of a worldwide sex industry and human trafficking that corrupts children forever. Kaio wants to change his life and become a nurse, but will h be able to overcome the labels?

Film biography dwelling on the hectic artistic life of António Variações, a famous Portuguese pop rock singer from the 80s, who died from AIDS-related complications in 1984.

Ensemble for Somnambulists was a film Maya Deren made while teaching a workshop at the Toronto Film Society. It was never completed, and is officially "unpublished," but this title has been restored and it screens occasionally along with her other films. It is sort of a preliminary sketch for The Very Eye of Night. ~ David Lewis, Rovi

How did Hollywood pitch movies about gays and lesbians between 1956 and 1977? Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" More than half are films released between 1968 and 1972. Half are dramas and half are comedies, with farce dominating the films released after 1971. At least three advertise X-rated films: "The Killing of Sister George," "Midnight Cowboy," and Visconti's "The Damned." There's no voice-over commentary for this compilation, but it does include advertisements for snacks and one warning against public displays of affection aimed at "her" to control "him."

EQUALITY U is a feature-length documentary following 34 young activists on the Soulforce Equality Ride. At some stops they're welcomed with open arms, at others they're arrested for trespassing or for simply attempting to open up a dialog. At every stop though, they're connecting with young people who've often never met an openly gay, lesbian, bisexual or transgender person who is comfortable with who they are. Written by Dave O'Brien

Almost a decade has elapsed since glam-rock superstar Brian Slade escaped the spotlight of the London scene. Now, investigative journalist Arthur Stuart is on assignment to uncover the truth behind the enigmatic Slade. Stuart, himself forged by the music of the 1970s, explores the larger-than-life stars who were once his idols and what has become of them since the turn of the new decade.

Jo is a 40-year-old transgender man addicted to cocaine. This addiction prevents him from achieving his transition in good conditions, and from maintaining fulfilling relationships. He is trying to quit drugs and to make a fresh start.

In 1966, Helen Reddy landed in New York with her three year old daughter, a suitcase, and $230 in her pocket. Within weeks, she was broke. Within months, she was in love. Within five years, she was one of the biggest superstars of her time and an icon of the 1970s feminist movement who wrote a song which galvanized a generation of women to fight for change.

An aspiring singer discovers the lyrics in a song written for her could lead her to the killer of the writer who wrote it.

Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.

Two girls have a chance encounter and instantly befriend. While trying to find themselves, they decide to pursue music together.

Never before has the extraordinary life of Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that shaped her. THE LIFE AND TIMES OF FRIDA KAHLO explores the 20th century icon who became an international sensation in the worlds of modern art and radical politics.

The documentary asks the question: "where are the LGBTQIA+ people in the history of Rio Grande do Sul?"

In the wake of the Birmingham protests against LGBTQ+ relationship education in primary schools, a team of queer community reporters of colour challenge homophobia and call out racism in LGBTQ+ spaces.

In the world of 1970s car racing, Hurley Haywood was cool, calm and collected. A five-time 24 Hours of Daytona winner, three-time Le Mans winner and Trans-Am champion, Haywood was a Hollywood archetype: a strikingly handsome man brought up by a good Midwestern family. Yet Haywood was often overshadowed by racing partner and volatile mentor, Peter Gregg—the Batman to his Robin—whose abrupt suicide in 1980 shook the sport to its core. And yet Haywood had secrets of his own. Despite multiple encounters with women, some that included public appearances alongside Penthouse models, he remained elusive about his personal life. With deft use of archival footage and exclusive interviews featuring actor and fellow racer, Patrick Dempsey, Hurley reveals a greater insight into Haywood’s tightrope walk between career and sexuality, while posing the question—will motorsport ever be ready for openly LGBT racers?