Jemima + Johnny

A story about a family of three – father, mother, and daughter, and then just mother and daughter, whose relationship becomes tense after the father passes on. As the poem goes, “the moon is not always full, life is always full of ups and downs”, the father has always had a wish. What is it? And how will the mother and daughter carry on with life?

A single lady meeting a butcher and discovering her tiny world expanding.

On the eve of the 21st century, Keke, a fine arts graduate, is on his way to Guangzhou to look for his grandfather’s tombstone. On the way, he meets Ono, a guitarist who is chasing a typhoon. Two people aimlessly walk in a strange city, for their own purposes to find, to experience, but there seems to be no results. Anything can happen before the apocalypse.

A journey to a dream through an encounter between Suna, a twelve-year-old girl who uses leaves as a blanket, and an old man who possesses secret knowledge. A reflection on friendship between a father and a daughter, a teacher and a student, an adult and a child, and the path that can turn the impossible into possible… The invented letters are inspired by the old Armenian symbols.

Nagisa (Minami Sara), a sophomore in college, doesn't have a lover.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.

The outsider Katrine survives a school shooting and is the only one to see who the shooter is. The hunt for the boy begins, and slowly Katrine realizes that she has more in common with him than any of her other classmates.

In contemporary Ethiopia, a farming community's exodus is disrupted when the patriarch of a prominent family disappears from his grave. Tessema, his son, begins to question the church's divine explanation, forcing him to launch his own investigation.

Lourdes and Lana met telepathically using “sensory pills”, a technology that allows access to other people’s sensations from a distance. After months of relationship, Lourdes decides to visit the country house of her parents, Vicente and Carl, and introduce them to her girlfriend.

Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed. As Mick moves the knife between their fingers, a train is heard approaching. What's Mick's purpose?

I didn't worry about it, until the symptoms got worse. The doctors said I had no cure, I'd be sick for the rest of my life. I wish they had been right.

A Peacemaker, who rejects his final mission to save an endangered planet, is believed to be cursed when a solar storm hits his spaceship.

Two bored housemates turn to killing as a means of entertainment.

Do-han makes money ripping off Chinese tourists visiting Dongdaemun night market. One evening, a Korean-Chinese man, Gwang-ho, asks the wandering Do-han about where he might take a woman. Hand-held camera work, close-ups and rhythmical editing enhance the dramatic tension and reveals what lays the shadowy corners of the exciting city nightscape.

This film explores the conflicts within Rhodesian society in 1969.

An Aboriginal girl held captive and at the mercy of the station’s stockmen makes an unlikely friend and finds the courage to set herself free.

Fatma is a young teacher in her own right during the years of oppression and fear following the September 12 coup. One day, on her way home, Fatma is stopped by the police who were checking the road. The police are looking for a militant named Şükran and they take Fatma into custody, even though they know she is not the person they are looking for. Although Fatma denies being Şükran during her interrogation at the police station, the interrogation turns into torture after a while. Fatma finally accepts that she is Şükran. When the real Şükran is caught, Fatma confronts the real Şükran, who was sent to the same prison, and denies her existence.

Nicky's whole world revolves around fitness, with the goal of getting bigger and stronger. By constantly monitoring his food consumption and weight, he seems to have his body and entire life under control. But when hidden childhood memories emerge, Nicky starts losing control and his body obsession sets off to an unhealthy direction.

The woman puts her lover's dead body in an aquarium and leaves his habits to rot. As his life gradually turns into the aquarium itself, his emotions begin to turn into zombies. The sound of order spreads from the television to the whole house. The woman normalizes death by becoming insensitive in this endless cycle that feeds on chaos.