Humshakals

Two zanies open a photography studio. They score a partnership with a gossip magazine that suddenly thrusts them into a world of corruption, murder, and hijinks.

Zafar's obsession with Salma causes the destruction of her family and her mental breakdown. Years later, fate unites her sons, Iqbal and Sunny, and they set out to save Salma from Zafar's captivity.

A girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra'(wedding dress worth Rs. 2.5 Lakh), she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.

Mistaken identity leads to laughs in this comedy starring Govinda as a hotel waiter named Raja who sets out to find a rich woman to marry. Sapna (Raveena Tandon) catches his eye, but she believes Raja is Rahul Saxena (also Govinda), a suave playboy and Raja's spitting image. When the error is revealed, she conspires with Raja and a friend to kidnap the real Rahul and send Raja to take his place. Simran and Arunai Irani co-star.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Pari and Yash fall in love with each other. However, her family strongly disapproves of her relationship with Yash. Yuvraj, Pari's childhood friend, attempts to create differences between the two.

Harbans Rai and Ranjit Rai are two wealthy businessmen who absolutely *loathe* poverty and poor people . As fate would have it , Harbans Rai's daughter Madhu falls for a poor mechanic Raja while Ranjit Rai's son Ajay romances a poor girl Kajal . When Harbans and Ranjit come to know of it they try various ways to separate the lovers.

Girdharilal (Kader Khan) is a very rich and wealthy man. He has made a number of enemies. One of his enemies asks a beggar to masquerade as Girdharilal for a price, to which the beggar agrees. The switch takes place, with the real Girdharilal being abducted. A series of hilarious and comical events take turn as the beggar attempts to pretend to be a rich, left-handed tycoon.

Bhim Singh is a domineering father and husband. He lives a fairly wealthy lifestyle with his wife, and a somewhat submissive son, Kishan. He gets Kishan to marry a simple and plain-looking woman named Chanda, much to Kishan's chagrin and reluctance. After the marriage, Kishan goes to Bombay to look for employment, and soon finds one. When he returns home to visit his "ailing" mother, his father instructs him to take Chanda with him to Bombay, as her rightful place is with Kishan. Kishan agrees to do so. Upon arrival in Bombay, Chanda is shocked to find out that Kishan is married to an attractive woman by the name of Radha. Now Chanda must decide whether to expose Kishan's dual life; to simply return to her parents' home; commit suicide. Or will Radha opt for a fourth option?

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.

A bumbling idiot, his crush and a railway station. What could possibly go wrong when all of this come together?

Uday Gupta, a medical college student wanted to specialise in Orthopaedic, but is stuck in an all-female class of Gynaecology. Will he change his department, or will the department change him?

A clingy husband haunts his irritated wife with a fossilized dodo for company. An exploration of love, way past its 'expiry' date.

Aasif's belief in logic and science shatters when he gets possessed by a transgender's ghost.

When he experiences chest pains, hopeless hypochondriac Bhagwant checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend to help him find a new husband for his wife Priya so he'll know she won't be alone once he's gone. He locates Priya's old college beau Fernandes. Meanwhile, Priya mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out of the house.

Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.

A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.