October Moon 2: November Son

Two childhood friends are recruited for a suicide bombing in Tel Aviv.

A lonely Brooklyn photographer (Randy Harrison, "Queer as Folk") gets the courage to come out from behind his camera to capture his crush, but it turns out there is more to the picture than meets the eye.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Henri is a lonely, isolated young man who lets no one get close to him. He meets a street hustler and comes out of his shell, going 180 degrees into gay obsession. Though he has yet to physically approach the object of his affection, Henri builds up so much unrequited lust that it explodes with horrible results.

Cinderella escapes at midnight, leaving behind one of her glass slippers. In the days that follow, the gay prince can't give up the idea of completing the pair.

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

Marcos, an unsuccessful film director, is immersed in the shooting of his new film, a queer giallo, when a series of terrible murders starts to happen in Barcelona.

Toni and Emma are brother and sister who owns a stable farm. Ramon and his son, Aaron works for them. Toni is openly gay and loves to party, Emma has a crush on Aaron who is a closeted gay who is afraid that his father might find out, but his father also has a secret.

A group of college boys, bored with the every day "gay life" of LA, decide to skip Pride weekend in exchange for a camping trip in the woods. Quickly overcome with boredom in their new surroundings, the boys venture into a game that ultimately unleashes the vengeful spirit of a local legend known as Malice Valeria. Overcome by her deadly plan of tainted love and her thirst to take back what was lost long ago, the boys must now band together before they fall victim to the poisons of a broken heart.

Marc and Emma move into a new house but have no idea that their basement was a gay nightclub. To make matters worse, the club was destroyed by fire, and now the house is haunted by the ghosts of five gay clubbers.

A small village is haunted by strange and awful murders. The scared villagers turn to two officials in search for help to solve the crimes. The investigations point to a very perfidious kind of murders: All victims were nibbled off shortly before or after their death. Could an animal be the cause of the strange bite tracks in face and arms of the dead bodies?

Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.

When New York is caught in the grip of a sadistic serial killer who preys on patrons of the city's underground bars, young rookie Steve Burns infiltrates the S&M subculture to try and lure him out of the shadows.

Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.

Ashley, a young man with a childlike mind arrives to stay with his uncle, David. Escaping from his abusive mother, He enters into a sexual relationship with his uncle who offers his insights into the world and the nature of reality. Eventually he tells his uncle that he wants to die, and the latter agrees to carry out the killing.

Young, charismatic, and hardworking, Sparra Farrell seems to be sailing into a happy, respectable life. He has a solid job and an adorable fiancée named Paula, and already owns a modest house in the country outside Melbourne. The only odd thing is that Sparra says precious little about his past — but that past is about to catch up with him, and wrest control of his present.

When the singer of a popular rock band disappears under mysterious circumstances, a contest to find a replacement soon turns from dream-come-true to waking nightmare for the young singer who hopes to take the job.

A straight man's life becomes disastrous - and obsessively dangerous - when his family, fiancee and friends all begin to reject him after he realizes he has fallen in love with another man.

Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.

A supermarket clerk decides to step in for an absent drug dealer, setting off an explosive, comedic chain of events.