Blackout

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

With charm and wit, Nichols discusses his life and 50-year career as a performer and director.

Medieval art treasures seized by the Nazis go missing at the end of World War II. Were they destroyed in the chaos of the final battles? Or were these thousand-year-old masterpieces stolen by advancing American troops? For over forty years, the mystery remained unsolved. A true detective story, "The Liberators" follows a dogged German art detective through the New York art world and military archives to the unlikeliest of destinations: a small town on the Texas prairie. Featuring interviews with Willi Korte (Portrait of Wally) and Texas attorney Dick DeGuerin, the film raises intriguing questions as to the motivations of the art thief and the whereabouts of the items that, to this day,

In East Los Angeles, three young misfit women find solace in an unapologetic, feminist bicycle crew. They call themselves the Ovarian Psycos Bicycle Brigade.

A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path.

The intimate story behind our changing relationship with death. A terminal diagnosis used to mean death within months. Modern medicine allows patients to live on for years. A passionate and touching film about uncertainty, about the future that faces all of us, following five patients who choose to sing their way through life, with a score by Mark Orton.

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

A documentary about film noir films made in Los Angeles.

Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

This documentary focuses on the making of the 235-minute, silent epic Napoleon, the masterpiece of French director/writer/actor Abel Gance. Napoleon showcased Gance's talents with the camera, his use of multiple-images (like a split screen), and his handling of crowded action scenes -- all brought forward in this documentary by his later assistant, Nelly Kaplan. While Gance was shooting Napoleon in 1925-26, he and his crew were also being filmed for a documentary titled Autour de Napoleon. The only extant reels from that documentary are included in this film, as well as views of Gance's unique "triptychs" -- three different scenes lined up side-by-side across a super-wide screen to convey the effect of a panorama, or of three separate interludes. Nelly Kaplan put together this documentary using old footage, such as Gance filming the famous snowball fight at the Brienne military school and still photographs and excerpts from Gance's production diaries.

Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/

Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.

LOOK AT US NOW, MOTHER! is about the transformation of a highly charged mother/daughter relationship from Mommie Dearest to Dear Mom, from hatred to love, as told through the filmmaker's story. The film is an unflinching look at the complex bond between mother and daughter. It reveals insights into family behaviors, patterns and generational, societal, cultural and individual histories. The film takes the audience on a journey spanning decades and continents, filled with conflict and emotional land mines. Told through biting humor and raw honesty, this is an intimate story about family dysfunctions and forgiveness.

A profile of Istanbul and its unique people, seen through the eyes of the most mysterious and beloved animal humans have ever known, the Cat.

Now We Live on Clifton follows 10 year old Pam Taylor and her 12 year old brother Scott around their multiracial West Lincoln Park neighborhood. The kids worry that they'll be forced out of the neighborhood they grew up in by the gentrification following the expansion of DePaul University.

In front of the camera, a woman relates how soldiers raped her during the war in the Democratic Republic of Congo. Another victim is filmed while bathing in a lake: 'Every time I smell their odour, I take a bath.' By expressing themselves and participating in support group meetings, raped Congolese women fight for recognition. At one meeting, men first point at the women's provocative clothing. But a soldier extends his support to the activists, just like a reverend does with a scathing sermon to his parishioners. The documentary switches back and forth between hope and sorrow. Two men took their wives back, one of them even participates in the information meetings now. But a young woman who tells about her rape will probably never get married. 'She will become a prostitute', her father sighs. The filmmakers meet with a condemned offender in jail, but he does not show any remorse.

The film tells the story of two friends who want to disappear from life. While their country Belgium is falling apart, two lost souls cling to each other.

For a lot of young girls, the Internet is a safe haven where they can be themselves without fear. The computer is their ‘daily food’. They submerge themselves in a virtual world that became more important than the ordinary one. For most of them the virtual word ís their real world. Emoticons shows a group of ‘lost souls’ who are all in search for contact, consolation, help, friendship and love. Soulmates by the Internet.

In Echigo in Japan the snow often lies several feet deep well into May covering landscape and villages. Over the centuries the inhabitants have organised their lives accordingly. In order to record their very distinctive forms of everyday life, their festivals and religious rituals Ulrike Ottinger journeyed to the mythical snow country – accompanied by two Kabuki performers. Taking the parts of the students Takeo and Mako they follow in the footsteps of Bokushi Suzuki who in the mid-19th century wrote his remarkable book “Snow Country Tales”.