The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.
A short film that explains the quote, the greatest gift that we can give, is the gift of self.
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
Danny ponders a way for rival gangs to avoid violence at an upcoming dance.
A group of middle-class friends driving around São Paulo choose one of the women as a bait to attract a victim, object of their alienation and moral aggressiveness.
When Tom travels across the country to locate the Daughter he never knew, undeniable questions of consequence rise to the surface when he offers a ride to stranded young woman.
A husband and father starts to dig a hole in his backyard, for no apparent reason.
Emmalou works as a waitress on a cruise ship filled with lonely people. She mourns the loss of her boyfriend who died in an accident the previous year. One day, a small boy disguised in a blue costume boards the ship
A haunting short version of Edgar Allan Poe's famous story about a cruel and unusual punishment inflicted on a victim of the Spanish Inquisition...
Hedi, a young man in his thirties, moves into an old apartment where he's going to make an amazing and life-changing discovery.
Catherine is taken to dine at "Eau de la vie" an opulent cafe known for its unusual entertainment. Her business associates Grant and Sarah intend to initiate her into their sordid society and strip her of her innocence. Catherine must choose from a small group of performers who will entertain the diners for the evening. She selects a young attractive man unaware that the finale of the evenings entertainment will end in his dead. To save the young man she has chosen, Catherine is driven to fight for her own life but oblivious to her struggle the other diners believe it is all part of the evening's entertainment Catherine has to stand alone. They say that evil triumphs when good people do nothing. Eau de la vie is a dark tale of hedonism and individual courage.
16-year-old Frida and Mona take the train from the suburbs to Copenhagen on a Friday night to get rid of their virginity. They make themselves up and change their clothes in the ladies' room at the Central Station and the manhunt in Copenhagen's night-life can begin.
It depicts apocalypse concentrating on the last days of a family's catastrophic life in a prevalent winter (nuclear winter) in Iran in 2012. The notions of void and terror are dominant in the film. (The nuclear catastrophe or winter is not specifically mentioned in the short film because of the hard political situation in Iran. However, its implications exist throughout the film like their imprisonment in their claustrophobic place.) Basically, the figures are indifferent in their hard circumstances and are not able to communicate with each other.
A cartoonist. His wife. His characters.
This 1914 drama set in the WWI-era relates a heroic act carried out by a war nurse for the Red Cross (Dora Tschitorina) who has witnessed the death of her husband (Ivan Mosjoukine).
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
Mrs. Anthoula, an elderly lady with hearing problems, is in danger of being evicted out of her flat. Mrs. Dafni, a social-worker, will try to help her.
Shabbat Dinner is boring as usual for William Shore. His mother has invited two crazy hippies and their son and is doing her best to show off, his father is drunk and berating their oddball guests, and he doesn't have much in common with their son Virgo. That is, until Virgo tells him that he has just come out as gay.
The old lighthouse keeper lives peacefully with his two daughters, who are both engaged to fisherman. One night he receives a message announcing the shipwreck...
Waste youth - but not with the wrong cigarette brand. Even on the Faroes, being young is an issue of style and distiction. And the difference between "Kings" and "Prince" is the difference between provincial backwaters and the big, wide world