In this short film's four segments, "Bowery Beautician", "Chutes", "Home Brew", and "Girth Control", the viewer is shown how certain conveniences and inventions aid the user.
Μοναστηράκι
This short documentary portrays a typical day of a Turkish farmer woman who lives in the village of Kozan, Adapazarı, Turkey. The film follows her everyday activities while also portraying her own opinions about her life.
Naturalists Charlie Russell and Maureen Enns film recently discovered grizzlies on Siberia's Kamchatka peninsula.
Shot on 16mm and featuring a soundtrack by Toshiya Tsunoda, Luke Fowler's film pays tribute to the French master’s impressionistic approach to light and nature (notably his Mont Sainte-Victoire series) through his own resplendant glimpses of landscapes and people in Southern France.
From the coast of the Atlantic to that of the Mediterranean, the director meets women whose faces recount ruined hopes. Grief finds an element of painful meditation in the movement of the waves.
Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.
In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.
See the great migration as never before! The Mara River, nature’s best laid trap for migratory animals, is the stage for a grandiose spectacle. When food supply in the Serengeti dwindles, the Masai Mara is a paradise for predators. As the black wildebeests, gazelles, zebras and antelopes make their yearly trip from the south of the Serengeti to the north, nature’s best laid trap, the Mara River in Kenya is waiting ahead. Captivating shots filmed under water show how crocodiles prepare for the Big Hunt while other predators lurk on the banks awaiting their bounty.
Short film about electric railroad lines
East German short film
Chronicle of the Occupation.
Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.
One filmmaker's exploration of natural light in California and its influence on people's lives.
Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.
Chema is an expat architect from Spain who lives in Amsterdam. He has built up a new life there as a wind-up toy maker. He creates small pieces of art from recycle items.
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Haja Fatma, a mother to eight children, tells the tale of family life in Tripoli during the Libyan Revolution. Women, young and old, all contributed during these hostile months in their own unique way. A human portal into the acts of ordinary people in their hope for freedom.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.