The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.
A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.
Old Silas Blackburn, a wealthy recluse, lives alone with his butler and his ward Katherine. One night, Katherine discovers Silas murdered in the room where three generations of Blackburns have mysteriously died. Silas' grandson Robert, whom Katherine loves, comes to visit the next day, suffering from amnesia.
Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Betsy Thorne (Bennett) travels to investigate a missing man where she overhears a conversation between the sheriff and an imported detective that reporters are barred from the house and grounds where the mystery has taken place. She comes across a maid sent to the house from Richmond, and so frightens her that she gains a chance to act in her place. During the first night at the house she is terrified when she sees a ghostly figure come from the grand organ. The house is roused by her screams as she flees the room, and she is forbidden from going back there by the sister of the missing man. During the following night she is locked in her room during a thunderstorm, and while escaping through a window sees the ghostly figure again in the family graveyard. She makes an investigation which starts from a particular chord played at the grand organ. They find that certain keys cause a secret door in the organ to open, revealing a secret passage to a family tomb.
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.
Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
A doctor's research into the roots of evil turns him into a hideous depraved fiend.
In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.
A man dreams he is the 'demon barber' who cuts sailors' throats for jewels and uses the corpses for pies.
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.
Laurel Oberion thinks she's buying a nice house, but gets more than she bargained for! Haunted by a dead anthropologist and his satanic wife, Laurel's newfound home turns into a bloodbath of sexual desires when pain and pleasure mix indiscriminately. A basement of terror hides the secret... blood flows as human sacrifice leads to resurrection of a Dark God... and only Laurel can stop it before it's too late! Writer's block becomes psychotic madness in METAL NOIR, where blood-spattered sex leads to face-stabbing gore!
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.