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Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
A look at the artwork of Aleister Crowley.
The film was filmed in Bibi-Heybat, a suburb of Baku (now the capital of Azerbaijan), during a fire at the Bibi-Heybat oil field. The film was shot on 35mm film by the Lumiere brothers in 1898. On August 2 of the same year, a demonstration of Alexander Michon's program took place, which included the film "Fire at an oil fountain in Bibiheybat".
An entertaining documentary look at dinosaurs with Emmy Award-winning special effects, feature film clips and stills, commentary by leading paleontologists of the time, and an on camera as well as voice-over narrative by Christopher Reeve. Shot on location in Los Angeles and New York at the American Museum of Natural History
Little Monsters presents some of the animal kingdom’s strangest survival strategies: poison dart frogs, chameleons, praying mantises and scorpions, to name but a few. Thanks to 3D visualization, large audiences can experience a chameleon thrusting out its tongue at close range, rattlesnakes striking at their targets to within fractions of an inch, praying mantises hunting and hummingbirds feeding, filmed from inside the flower! And with its ingenious combination of slow-motion 3D and timelapse 3D, “Little Monsters” even improves upon state of the art 3D for greater impact, yielding unbelievable scenes the world has never seen and “felt” before.
DFW Punk, covering the Dallas/Ft. Worth punk/new wave scene. If you thought Texas in the late ’70s was all about urban cowboys, country tunes and bible-thumping, get ready to be proved dead wrong. 2007, MiniDV.
Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.
A portrait of Athens, Georgia singer-songwriter Vic Chesnutt.
The computer animation Outside In explains the amazing discovery, made by Steve Smale in 1957, that a sphere can be turned inside out by means of smooth motions and self-intersections. Through a combination of dialogue and exposition accessible to anyone who has some interest in mathematics, Outside In builds up to the grand finale: Bill Thurston's "corrugations" method of turning the sphere inside out.
The Heart of 'The Natural'
A 1936 documentary film about the London to Portsmouth railway. A lesser known contemporary of Night Mail, also featuring the music of Benjamin Britten and poetry of W.H. Auden.
Chemistry in the kitchen
Coming in all shapes and sizes, bacteria are present in every corner of the Earth. Their purposes and types are even more diverse, with only 1% being truly harmful. Dive into the world of Bacteria to experience the latest discoveries and scientific knowledge surrounding these plentiful and necessary microbes.
Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.
Woman Draped in Patterned Handkerchiefs is a 1908 British short silent documentary film, directed by George Albert Smith as a showcase his new Kinemacolor system, which features a woman displaying assorted tartan cloths, both draped on her body and waved semaphore-style. The patterned handkerchiefs are, according to Michael Brooke of BFI Screenonline, “presumably the same cloths featured in Tartans of Scottish Clans (1906), this time shown from various angles.”
Animated short documentary film made to advance the cause of a balanced diet for the benefit of the public health and for the advancement of the American war effort.
A short documentary about the work of the National Trust in Great Britain
The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.