The Homestretch

“In the beginning, women lived apart, unaware of the existence of men. Until one day, when the first woman, Toli, who was brave and adventurous traveled deep into the forest. Toli discovered solitary creatures with big muscles who knew how to climb trees and harvest wild honey. When Toli tasted their honey, she thought they should all live together….” That is how one of the creation stories of the Aka people from the tropical rainforest of the Congo Basin goes. Akaya, Kengole, Dibota and their friends and family are hunters-gatherers (and also great story-tellers) who guide us through their world. They explain their origins, myths, and the very spiritual meaning of life.

Margaret Mee and the Moonflower is a documentary about the life and work of the botanical illustrator, Margaret Mee, a pioneer and a visionary, one of the most important artists of the twentieth century. Through her diaries, interviews and narratives, the film reveals a tireless advocate for the preservation of Brazilian flora, whose love of nature and whose art provide a constant reminder of the need to preserve our environment.

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

Zuhdi Al Adawi, a Palestinian artist imprisoned in the occupied territories, uses his art as his means of expression and is helped by the rest of the community and his own family to accomplish his artwork.

Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York.

Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.

At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.

Mauricio, a lifeguard on a Chilean beach, considers himself to be a model of efficiency and professionalism. His colleagues, however, think otherwise, and speculate on why he never goes into the water. Maite Alberdi's visually gorgeous feature documentary debut has the intensity of a short story; beginning as a quirky character study of lifeguards and beachgoers, it becomes something altogether darker and more shocking when events take a dramatic turn.

Thoughtful documentary exploring the shocking court decision to grant custody to a child’s father, a convicted murderer, rather than her lesbian mother.

Tamil superstar Rajinikanth: Actor, Leader, Hero, God. Men from various generations alter their lives, sell their belongings, and place fandom above their families in devotion to an iconic South Indian superstars.

An exploration of the unique culture of Newfoundland's outports, the film revisits the PR coup that launched the animal rights movement onto the international stage: the 1977 Newfoundland visit, orchestrated by the International Fund for Animal Welfare, of French actress turned animal rights activist Brigitte Bardot to protest the area's ancestral sealing activities. Soon, inhabitants of the island's northern outports we're being introduced to the world as the epitome of brutality.

Filmmakers Holly Dale and Janis Cole explore the culture of Davie Street, located in the underbelly of Vancouver, where dozens of prostitutes work and live every day. Surprisingly, they find that the sex trade there is stable and largely non-violent, and that the women who work on Davie Street meet daily to discuss safety and health issues and don't use pimps. The film also includes candid interviews with the prostitutes and footage of negotiations with potential clients.

Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.

This iconic American story was written in 1900 by L Frank Baum, a Chicago businessman, journalist, chicken breeder, actor, boutique owner, Hollywood movie director and lifelong fan of all things innovative and technological. His life spanned an era of remarkable invention and achievement in America and many of these developments helped to fuel this great storyteller's imagination. His ambition was to create the first genuine American fairytale and the story continues to fascinate, inspire and engage millions of fans of all ages from all over the world. This documentary explores how The Wonderful Wizard of Oz has come to symbolise the American Dream and includes previously unseen footage from the Baum family archives, still photographs and clips from the early Oz films, as well as interviews with family members, literary experts and American historians as it tells the story of one man's life in parallel to the development of modern America.

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, sets the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.

A unique exhibition of rare and unknown photographs of Smyrna from American and European archives and private collections.

An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.

At a time when the country is rethinking its drug policies large and small, one state raises to the forefront of national attention. Once a pioneer in legalizing medical marijuana, the state of Montana is poised to become the first in the nation to repeal its medical marijuana law. Set against the sweeping vistas of the Rockies, the steamy lamplight of marijuana grow houses, and the bustling halls of the State Capitol, CODE OF THE WEST follows the 2011 Montana State Legislature as it debates the fate of medical marijuana. This is the story of the many lives and fraught emotions tied to one of the most heated policy questions facing the country today

Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.