A landowner tries to drink his neighbor's molybdenum milkshake and winds up having him killed. It's up to Allan Lane to find out what happened and apprehend the culprits.
McCord's gang robs the stage carrying money to pay Indians for their land, and the notorious outlaw "The Oklahoma Kid" Jim Kincaid takes the money from McCord. McCord stakes a "sooner" claim on land which is to be used for a new town; in exchange for giving it up, he gets control of gambling and saloons. When Kincaid's father runs for mayor, McCord incites a mob to lynch the old man whom McCord has already framed for murder.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.
On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.
The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.
A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.
In this western, a cowpoke gets in an argument; a scuffle ensues leaving the cowboy to believe that he killed his opponent. He is so wracked with guilt that he travels to the ranch of the dead man's sister, gives himself a new name and begins helping her. Rustlers come; he stops them. Trouble ensues after she learns his true identity. A scuffle ensues. She wings him with a gun; he disarms her. Later she hears the real murderer bragging about his crime during a fight with the hero.
A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.
Gare uses the knowledge that his wife Amelia was imprisoned and had an illegitimate son to make her his subject. When her son Marc Jordan appears and falls in love with her daughter Judith, Amelia is forced to tell the truth. Gare then tyrannizes Judith. She tries to escape, but a fatal accident occurs first.
Just as Nevada wins $7000 in yellowback bills, Ben Ide takes his $7000 and heads out to buy mining equipment. Burridge has his man Powell kill Ide and retrieve the money and Nevada finds Ide just as the posse arrives. Found with the money Nevada is arrested and Burridge now gets Powell to incite the local citizens to lynch Nevada.
This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners - Andy Clyde, Jay Kirby and Russ Wade - ride into Rockford and innocently takes jobs with Tug Wilson and his tough crew of line riders, who are in cahoots with Yeager in a big land swindle scheme.
Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarty, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarty while tracking down evidence that will prove his innocence.
Gene and Pokie are on vacation in Mexico when they learn that their buddy Dusty has been bumped off.
Two missionaries witness a murder by hired guns and go on the run. They stumble onto the cabin of two retired contract killers who agree to help the women find safety, but only their guns can secure that promise.
When two US cavalrymen transporting a gold shipment get killed, US Army Intelligence investigator John Haven goes undercover to a mining and logging town to find the killers.
Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw
The story concerns a fierce struggle over water rights. Complicating the plot is the presence of a masked desperado who is systematically killing off local ranchers.
Outlaws are in control of the land so the town of Clayton City writes the governor for an honest marshal. That marshal is Frank Lane, who brings his son Rocky with him.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.