Gopan is living with his 6 year old son Ashok. His neighbor Celin falls in love with him. But he reveals that Ashok's mom is alive and he narrates his story.
An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.
Kavalam Jimmy and Vattathil Bosco are rivals from their school days and Minnal Simon always tries to benefit from this situation.Three of them have their own intentions and they back stab each other to attain their own aims.
A married woman, who has set aside her dreams for the sake of her husband and daughter, rediscovers her true self and becomes an achiever.
Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.
Saira Banu, a post woman and a single mom, is caught unawares when her son Joshua Peter, a law student, gets entangled in a legal hassle. The opponents in the case are a bunch of affluent and powerful names of the society. How would the middle-class woman help her son?
A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!
Manu travels from Dubai to Kochi to attain his goal, without which he will be in trouble. Public prosecutor Mathew Tharakan and taxi driver Muhammed have their own intentions to be pursued as well. Vasudeva Sanal's God's Own Country narrates the story of what happens to the three as they try to reach their destination.
George Vadakkan is the quintessential prodigal son of a priest, who wished he followed the father’s path. His friends and George generally hang out at Mathayi Parambu, a public playground cum hangout space of the area. How the park plays a part in setting his life straight is the core of the pooram.
Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.
In a rustic village in Kerala, a group of old wrestling aficionados led by "Captain" Das is at odds with the youth of the village who are more into cricket. Though a former wrestler himself, the Captain's son Anjaneya is also part of the cricketer gang. Anjaneya is forced to go to college in Punjab by his father and there his paths cross with a Punjabi girl Aditi who's coincidentally also a wrestler. Due to unforeseen circumstances both of them end up returning to Anjaneya's village in Kerala.
The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.
An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.
Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.
Vijay's marriage is fixed to Pavitra, the daughter of a wealthy man. Things take a turn when Vijay accidentally meets Merin and falls in love with her.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.