8 clos à Evian

Genoa 2001: As the G8 Summit drew to a close and the press and politicians departed, 300 riot police stormed the Diaz School looking for members of the infamous Black Block. They found instead young activists, mostly students, teenagers and journalists from around Europe preparing to bunk down in the school gym. Undeterred, they unleashed a calculated frenzy of violence, beating young and old, male and female indiscriminately. Those seriously injured were rushed to the hospital in ambulances, though soon after they were forced to join those who had been arrested and driven to a detention centre and subjected to further abuse and degradation.

The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.

Two guys against globalization want to plant a virus in the network of a finance corporation. On the day of the attack Alex has an accident and cannot remember anything. Visions and reality are thrown together in a confusing maze. Alex tries to escape from this muddle but what he discovers turns out to be rather frightening…

Laurens works for the German Minister of Finance and is an extremely correct and conscientious person. He knows his way around numbers, but less so with women. One day he meets Gina, a single young woman. She is sitting alone at one of the tables and Laurens forces himself to sit with her. Hesitantly, a first conversation develops between them. This is the beginning of a seemingly impossible love story that not only throws Laurens' life into turmoil. Laurens is secretary to the German finance minister. Over breakfast, he approaches the attractive Gina and invites her to accompany him to the G8 summit. There, Gina realizes that she doesn't fit into the world of politicians and business bosses. She is the only one to say what she thinks - and causes quite a stir. Laurens has to choose between his career and the love of his life.

On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where around a hundred people between unarmed protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next was called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."

2001. Soon-to-be-graduate David gets involved in the anti-globalization movement after falling for activist Viola in the months preceding the fateful events of the G8 summit in Genoa.

Cameras follow Irish solo sailor Tom Dolan as he attempts to sail single-handed around the island of Ireland, which is one of the toughest feats in sailing.

Nicolas Cage dies all the way from Hollywood to Direct-To-DVD.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

Tom Angelripper narrates the struggles of the band in the mid-Nineties, his many side projects, and yet another drastic line-up overhaul.

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

Made famous by the 1957 Hollywood movie, the bridges of the River Kwai emblematize one of the most misunderstood events in history. Contrary to the romanticized film version, the structures represent a period of terror, desperation, and death for over 16,000 POWs and 100,00 local slaves. The Thailand - Burma Railway was the vision of the Japanese Imperial Army: a 250-mile track cut through dense jungle that would connect Bangkok and Rangoon. To accomplish this nearly impossible feat, the fanatical and ruthless Japanese engineers used POWs and local slaves as manpower. Candid interviews with men who lived through the atrocity - including Dutch, Australian, British, and American POWs - illuminate the violence and horror of their three-and-a-half-year internment. From Britain's surrender of Singapore the enduring force of friendship, The True Story Of The Bridge On The River Kwai narrates a moving and unforgettable account of a period in history that must be remembered.

From hooliganism and violence through to the ecstasy and the rise of rave culture, Andy Swallow, co-founder of West Ham's ICF and later Centreforce 883, opens up about his life for the very first time.

This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.

An eye opening program to find out what its like to be a police officer facing the deadly force dilemma

Documentery from 1991 where The 2 Live Crew, Chuck D (Public Enemy), Too Short, Ice-T, Geto Boys, H.W.A. drop real talk on different topics.

History of the first ascent of Aconcagua by the south face in February 1954 by the French shock team led by René Ferlet and composed of Lucien Bérardini, Adrien Dagory, Edmond Denis, Pierre Lesueur, Robert Paragot and Guy Poulet. In seven days of combat, they extricate themselves from the mountain in a pitiful state; all except Robert Paragot will be victims of severe frostbite which earned them amputations, some important as for “Lulu” Bérardini who lost part of his left hand.

A documentary crew returns to the shooting locations of Sam Peckinpah's legendary western to reflect on the film and the way it impacted their lives.

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.