O Seasons, O Castles

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.

Provocateur, artist, performer: Peter Vanessa "Troy" Davies was a chameleon. Using layers of identity at will, Davies charmed his way through a lifetime of secrets and lies, prostitution, art, HIV, abuse, incest and gender subversion, leaving a legacy of unanswered questions, influential performances and reams of enigmatic home video. Ecco Homo is a psychological detective story and a testament to a social history rarely documented on film

Looking for Lowry is an entertaining documentary film about the life and work of the much loved British artist L.S. Lowry (1887 – 1976). This contemporary new film illuminates Lowry’s extraordinary vision for the first time in high definition, as we meet those who knew him and those who have been inspired in our post-industrial age by his unique observations of our country and his powerful artistic legacy. Manchester-born rock star Noel Gallagher describes how Lowry’s life chimes with his own: “…for me it’s like when did you first hear the Beatles? Lowry has always been there… I guess all the people Lowry ever met are there in his paintings…”

Chronicles the largest rape tribunal in Congo's history, offering an unprecedented glimpse into the lives of its women and the unshakable strength of the human spirit.

The documentary film reflects on the war in Chechnya based on the experiences of young soldiers who return from the mission mentally and physically broken. Conceived as a montage of emotional confrontations, it gains from the closeness and trust between directors and protagonists. The young men's reflections are expanded and deepened by memories of an elderly Afghanistan veteran, scenes from the Moscow Committee of Soldiers' Mothers and images of a brutal operation by the Russian army against Chechens.

The Recruiter takes viewers to the Louisiana coast, where they witness firsthand Sergeant First Class Clay Usie’s struggle to enlist new soldiers into the U.S. Army in his hometown of Houma, LA. Sgt. Usie believes that every American should serve their country and he sets his sights on Lauren, Matt, Bobby, and Chris, four teenagers who think that the Army is the answer for them.

Like many Japanese Americans released from WWII internment camps, the young Omori sisters did their best to erase the memories and scars of life under confinement. Fifty years later acclaimed filmmaker Emiko Omori asks her older sister and other detainees to reflect on the personal and political consequences of internment. From the exuberant recollections of a typical teenager, to the simmering rage of citizens forced to sign loyalty oaths, Omori renders a poetic and illuminating picture of a deeply troubling chapter in American history.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

She Don't Fade chronicles the sexual pursuits of Shae Clarke, an African American lesbian. Clarke, played by Dunye herself, defines and readily demonstrates her "new approach to women."

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

The economists behind the implementation of the most extreme capitalist system in the world observe with surprise the discontent of its countrymen. For the first time, they tell the story of how they became Milton Friedman's students in Chicago in the 1950s and what were they willing to do to pursue their extreme economic ideas, aided by Pinochet's dictatorship in the 70s. Unseen images and testimonies that allow us to understand the historic process that transformed the Chilean people and Chile in the country that it is today, an image of success and discontent.

At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.

.Americans have had a long love affair with dogs, with many of us referring to our canine companions as best friends, significant others, soul mates, even children. But lost amidst all the pampering and pedestaling are hard and often tragic truths surrounding dog ownership, care and commerce, not to mention the daunting odds continuing to face millions of unwanted shelter dogs. Divided into three parts – “Fear,” “Loss” and “Betrayal” – this 73-minute documentary is comprised of eight case studies that probe the complicated and conflicted relationship we have with canines. Collectively, the segments reveal the sobering realities behind our relationship with dogs, showing not only how far some dog lovers will go for their pets, but how far we as nation have to go in order to treat all dogs humanely.

In 2000, Illinois Gov. George Ryan ordered a moratorium on the death penalty after university students uncovered new evidence proving the innocence of 13 men on death row. This documentary follows the hearings held by a panel Ryan appointed to study the issue and interviews activists, scholars and prisoners, while examining the history of the American death penalty. As Ryan's time in office comes to an end, he must decide what steps to take to reform the judicial system.

Conceived as an electronic road movie, this documentary investigates cutting edge technologies and their influence on our culture as we approach the 21st century. It takes off from the idea that mankind's effort to tap the power of Nature has been so successful that a new world is suddenly emerging,an artificial reality. Virtual Reality, digital and biotechnology, plastic surgery and mood-altering drugs promise seemingly unlimited powers to our bodies, and our selves. This film presents the implications of having access to such power as we all scramble to inhabit our latest science fictions.

Documents Ku Klux Klan activities in California, Georgia, Chicago, and Ohio.

Women workers stand up to the toxic flower industry in Colombia.

Upending expectations and challenging the definition of womanhood, these “first women” found themselves at the forefront of progressive movements, organizing campaigns and leading paths to cultural change. Female historians share the names and stories of five of these pioneers: Martha Hughes Cannon, Jovita Idár, Jeannette Rankin, Mary Church Terrell and Zitkála-Šá.

Documentary about poet Sascha Anderson.

A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985. The film includes songs from her 1984 album 1984’s “Mister Heartbreak” and selections from her 1983 “United States” show, along with eclectic, experimental visuals blending film, animation, dance and electronics.