Liberators Take Liberties

Narrated by Country Music Superstar Darius Rucker. We return to Ramitelli airfield in Italy to chronicle the legacy of World War II's famed Tuskegee Airmen, African American pilots who helped break stereotypes and helped win World War II with their incredible fighter escorts of American bombers.

A documentary about film noir films made in Los Angeles.

Elaine Shepherd’s classic BBC documentary, introduced and narrated by John Peel. Completely wonderful, a 50 minute joy: reviews, articles, blog posts, etc. relating to The Artist Formerly Known As Captain Beefheart.

The economists behind the implementation of the most extreme capitalist system in the world observe with surprise the discontent of its countrymen. For the first time, they tell the story of how they became Milton Friedman's students in Chicago in the 1950s and what were they willing to do to pursue their extreme economic ideas, aided by Pinochet's dictatorship in the 70s. Unseen images and testimonies that allow us to understand the historic process that transformed the Chilean people and Chile in the country that it is today, an image of success and discontent.

Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

The Maginot Line: thousands of subway bunkers and concrete defenses lining the French border from Belgium to the Mediterranean Sea, a monumental engineering feat that was celebrated as a technical masterpiece when it was created. When the impregnable wall was demolished by the unbeatable Nazi war machine in 1940, the conquered fortress became the shattered symbol of French defeat.

Mein Wunschland

The portrait of a community as they face their country's economic recession.

In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

A full-length documentary about a controversial evangelical movement that purports to convert gay people into heterosexuals. The film brings us inside this unusual Christian subculture and follows the lives of several young people whose homosexuality is at odds with their religious beliefs.

During World War II, the photographer Francisco Boix and other Spanish Republican prisoners of the Mauthausen concentration camp, where 120,000 people died, managed not only to survive their indescribable experience, but also, after the war, to reveal to the world what really happened in that hell, saving from destruction thousands of official photographs taken by the SS.

As described by Oliver Sykes, "The most offensive, vulgar, awkward, retarded band DVD of all time. But also the funniest and the best."

The ostensible subject of this film is the growing, drying, peeling and packaging of persimmons in the tiny Japanese village of Kaminoyama. The inhabitants explain that it is the perfect combination of earth, wind and rain that makes their village’s persimmons superior to those grown anywhere else, including the village just a few miles away. The film’s larger subject, however, is the disappearance of Japan’s traditional culture, the end of a centuries-old way of life.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

'Spitfire Sisters' tells the story of the remarkable ladies who flew for the Air Transport Auxiliary (ATA) in World War Two. Called upon to ferry military planes of all types between airfields, factories and maintenance units, these ladies were faced with bad weather, operational adversities and flying planes they had never flown before. Now in their 90's, these ladies tell us of the adventures they experienced during their incredible lives as Ferry Pilots. With tales of love, laughter and loss, people can't help but feel permanently amazed by the achievements of these unique women. They are the unsung heroes of the Second World War.

The tobacco industry's conspiratorial efforts to market their products in the face of public health facts and public opposition.

A documentary about the three Woodstock music festivals.

The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.