Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.
A young boy in a Mexican border town hustles any way he can to help his family but learns some very cruel realities when the girl he likes gets 'disappeared'. Based on true stories from La Frontera.
Four friends start to receive morbid Valentine cards and realise they are being stalked by someone they had spurned 13 years ago. A masked killer is on the loose and Valentine's day is soon approaching.
Stoic and heartbroken, Einar Gilkyson quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley. One day, the woman he blames for the death of his only son arrives at his door broke, desperate and with a granddaughter he's never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure and forgiveness.
Successful architect Robert has a one-night stand with a mysterious lady in red. The next day they meet again, but Carolin is now a corporate lawyer working on a major contract for Robert ...
In Poland, behind the gates of an exclusive housing estate, the life of its wealthy residents is regulated by an old code of honor, due to which the Kowalskis and the Nowaks have been embroiled in a bloody family feud for years.
When love can hurt and be dangerous, when men can be violent and become crazy, when women have no way to defend themself there is nothing left on earth. Osuba is a visual expression and emotional trip about this huge problem in the world. Violence, anger, obsession, fear, war all this can start easy and quick.
A swinging, hypocritical college student cat raises hell in a satirical vision of the 1960s.
Silenciada
In 19th century France, an escaped convict seeks redemption while caring for a young woman whose mother he once protected, and aligning himself with a band of student revolutionaries.
A forceful reflection of the situation of insecurity and violence experienced by thousands of women in Mexico.
A woman is stalked by a mysterious stranger during a day at the beach.
A woman must safe herself and escape from a bizarre black room where she waltz with her biggest fear and trauma. A Choreography of Violence is a short experimental film that tells a story about love gone wrong, domestic violence, and freedom. The story is told through contemporary dance, with no dialogue, for the entirety of the film.
A violent thriller set in the outback of remote La Plata region, I'LL NEVER DIE ALONE (aka NO MORIRE SOLA) is a tough and pounding story of revenge for rape, mercilessly carried out by a group of women intent on pursuing their attackers to the bitter end.
The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.
An unexpected turn of events happens after a woman faces off with a competitor that wants her job.
When Petula and Dorothy cover up the accidental murder of one jerk boyfriend, they hatch a hilarious scheme to collect a huge ransom.
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.