DiAna's Hair Ego: AIDS Info Up Front

Es geht um Alles

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Afro-Cubans played a leading role in the fight to free Cuba from Spanish domination; as part of that struggle, slavery was abolished. Nevertheless, as African descendants began to achieve a semblance of social and economic parity, the plantocracy, backed up by the US army, sought to undo their gains. Determined to resist, veterans of the Mambi army formed the Party of Independents of Color, gaining wide popular support and ultimately threatening the domination of the white Cuban rulers. Their response was savage, and 6,000 Afro-Cubans were massacred; until this film, these events have been shrouded in silence.

Russian Poet Boris Ryzhy was handsome, talented and famous. So why did he end his own life at the age of 26? A quest to find the answer takes the filmmaker to the notorious neighbourhood in the cold industrial city of Yekaterinenburg where Boris grew up...

In 2009, students of all walks of life at the Arts & Learning Children's Conservatory in Anaheim, CA set out to produce their own live musical parody version of Star Wars: Episode V - The Empire Strikes Back (1980), as interpreted through their young talents. Follow the young actors, artists, musicians (and a few supervising adults) as they audition, rehearse and perform their take on this classic film.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

Somewhere in a subtropical country white visitors crowd around dark-skinned plantation workers emptying their harvest baskets. They look curious, as if wanting to test the quality of the tea leaves. Everywhere tourists take out their cameras ­ whether in front of large animals in the wild or camel riders, whether in the face of decorated human bodies or daily work routines. Now and again they look into the camera themselves. For later, for when they will proudly show their 'exotic' finds at home. This posing contains a model of western travels and picture making which is over a century old. The fascinated gaze on the foreigners fixes them in pre-formed frames. Lisl Ponger follows the trail of that gaze by taking amateur found footage material and linking it together in new ways.

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.

When Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave him his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life, uncovering stories of lost tribes, wanderers and dreamers.

It was the year 1984 when a group of architects decided to organize a one night music band as a New Year's party joke in Kaunas, Lithuania. The joke proved to be so good that rumors about the new exciting rock band spread from lips to lips and soon their intellectual circus grew into the Rock Marches - massive events involving thousands of people - that transformed into the big meetings for Lithuanian Independence later named the Singing Revolution. This is the story about the people who raised their independence with the smiles and songs regardless of the danger of the situation.

Finns have a quirky sense of humour - and are a bit shy. But: Tango is THE folk music of the Finns. The documentary discovers the Finnish tango from the viewpoint of the singer Chino Laborde, the guitarist Diego "DIPI" Kvitko and the bandoneonist Pablo Greco. The three Argentine musicians travel to Finland to find out whether Aki Kaurismäki is telling the truth when he asserts that tango music was invented in Finland.

Half a million people descend upon a tiny Serbian village for the 50th anniversary of the world's largest trumpet festival. Brasslands chronicles the cultural and musical collisions through the personal journeys of 3 musicians - American, Serbian, Roma - whose lives are bound to Balkan brass for very different reasons.

'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.

In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.