Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.
Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Max Fleischer draws the upper and lower halves of the Clown's body, which dance around separately before coming together. Max interacts with his creation before ultimately washing the Clown off the page with water.
Scrat tries to finish his rather large collection of acorns when things start going nutty.
Short film of 300 individually painted images. A lost film.
At a famous London disco venue, a competition is announced to select two dancers to star in a new film.
It's not easy to be Barry. An earthworm gets no respect. He lives at the bottom of the food chain. But one day, an old disco record turns his life upside down. Suddenly he sees before him his own destiny, the star of the world's greatest disco band: Sunshine Barry & The Disco Worms! Okay, he's got no arms, no rhythm and no band. But as Barry says: "We'll do it anyway!"
A Pop Art extravaganza by Fred Mogubgub from the late-1960s, innovative in the use of the quick cut, this film is a parade of pop icons of its time. Features a pre-Playboy, pre-N. O. W. Gloria Steinem.
A man wakes up in a blue room. He's stuck and he can't escape. A window is his only connection to the outer world. It filters the reality in a very mysterious way.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
The life of the magnetic Jamaican musician, actress, model and party queen Grace Jones featuring concert performances and intimate, personal footage.
Shane O'Shea, a Jersey boy with big dreams, crosses the river in hopes of finding another, more exciting life at Studio 54. When Steve Rubell, the mastermind behind the infamous disco plucks Shane from the sea of faces clamoring to get inside his club, Shane not only gets his foot in the door, but lands a coveted job behind the bar - and a front-row ticket to the most legendary party on the planet.
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.
In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
After returning home from what was supposed to be a Danish-immersion camp, Larry the Cucumber meets up with Bob the Tomato for a series of sketches dealing with self-esteem, along with a Silly Song segment. In the first, "The Strange Case of Dr. Jiggle and Mr. Sly," Scooter the Carrot and Larry investigate the appearances of a flashy, disco-dancing gourd in the dark streets of London. Then Larry and a female friend team up for the Silly Song "Sport Utility Vehicle," which pokes fun at preppy SUV owners who dream of using their rugged vehicles for more than just trips to the donut shop. After the song, the title segment follows (in Dr. Seuss-style rhyming verse) the morality tale of a winged creature called a Snoodle, who learns his true self-worth during a mountaintop journey.
It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.
Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.