Dawn of the Damned

Route 4

In Namibia, a country where sodomy is still a crime and gay relationships are stigmatized against, two lives intersect: George, a middle-class insurance broker living in central town, Windhoek, and Simeon, a kapana seller who lives in Katutura, Windhoek's township. Two secrets. One unlikely meeting in a bar.

Educational film about Cyprus - landscape, people, work, traditions etc.

Rick Morgan, an American engineer who runs a mine in East Africa, is approached one day by his friend Jim Scott, who needs someplace to store canisters of toxic waste. Unfortunately, a spill occurs a short time later, resulting in deaths and Morgan having to leave the country. A year later, he is approached by a government agent looking for a missing supply of potentially hazardous poison, which in truth hides something even more valuable.

Rui was raised in Mozambique in a small village at the frontier of a mysterious river. Son of Portuguese colonists, his best friend is Ana, a black girl godchild of his mother. At fourteen he is confronted with the tragic destruction of his childhood and has to learn to recognize two distinct realities - the European and the African.

"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.

25 years ago, Louis Sarno, an American, heard a song on the radio and followed its melody into the Central Africa Jungle and stayed. He than recorded over 1000 hours of original BaAka music. Now he is part of the BaAka community and raises his pygmy son, Samedi. Fulfilling an old promise, Louis takes Samedi to America. On this journey Louis realizes he is not part of this globalized world anymore but globalization has also arrived in the rainforest. The BaAka depend on Louis for their survival. Father and son return to the melodies of the jungle but the question remains: How much longer will the songs of the forest be heard?

Running With The Beest

Hector is a quirky psychiatrist who has become increasingly tired of his humdrum life. As he tells his girlfriend, Clara, he feels like a fraud: he hasn’t really tasted life, and yet he’s offering advice to patients who are just not getting any happier. So Hector decides to break out of his deluded and routine driven life. Armed with buckets of courage and child-like curiosity, he embarks on a global quest in hopes of uncovering the elusive secret formula for true happiness. And so begins a larger than life adventure with riotously funny results.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

Herzschlag der Kontinente

Young Scottish doctor, Nicholas Garrigan decides it's time for an adventure after he finishes his formal education, so he decides to try his luck in Uganda, and arrives during the downfall of President Obote. General Idi Amin comes to power and asks Garrigan to become his personal doctor.

Le Goût de la savane : Herbivores et carnivores, festins croisés

On an Algerian beach, kids splash about, sleep, squabble - and then suddenly go to war. And it’s neither Lord of the Flies nor La Guerre des boutons. In her first film, full of grace, Narimane Mari films this childish freefor- all closely, at the irregular pace of an imagination inspired by the highest form of reality, national History — actually, nothing less than the Algerian War of Independence. When their make-believe induces a general upheaval, we follow the flock of children as they stamp their feet up the stairs, invade houses, cross village squares, in a whirlwind of shouts and empty words. Time is stretched like in a dream, through a choreography of belligerent shadows or the night-time explosion of the cemetery, as so many warning signs of dangers to come.

In the midst of the Algerian liberation war, two characters, a meddah (traditional storyteller) and a guerrab (water distributor), having become aware of their subhuman condition in their own country, join the National Liberation Army (ALN) to fight against inhumane colonialism. They will climb the ranks to become political commissioners before falling on the field of honor, the first in a skirmish and the other in Barberousse prison (Serkadji) where he will be guillotined.

Pas De Blanc À La Une, by Youcef Bouchouchi, treatises the brutality of the conflict during the war of independence in Algeria from 1854 to 1962, and the systematic use of torture which pushes even the most hesitant to make up their minds.

The Randolph family have a tradition of working in the British colonial service. Clive comes home from a mission in the Gold Coast of Africa accompanied by his wife Helen. He discovers his younger brother John, is not keen on following in his footsteps. John is then persuaded to try colonial service by his grandfather. He is accompanied by Clive who has been sent to investigate the source of a series of radio broadcasts that are sewing unrest throughout the world. These may be linked to Hugo Zurof, a man plotting to rule the world.

Filmmaker-griot coming from the theater, it was with a camera, while the war in Vietnam occupied everyone's minds, that Sarah Maldoror gave visibility to the African wars of decolonization: Angola, Guinea Bissau, French Guinea, Cape Verde... Her short film Monangambée addresses the torture by the Portuguese army of a sympathizer of the Angolan resistance. At the end of editing, Sarah Maldoror approached the members of the Art Ensemble of Chicago during a Parisian concert and offered to add sound to her film. The next day they watched the film, were convinced and recorded their first soundtrack for free as evidence of African-American solidarity. Shot in Algiers, Monangambée is a film about torture and, more broadly, about the incomprehension between the colonized and the colonizers. It is based on a novel by the Angolan writer Luandino Vieira, then imprisoned by the Portuguese colonial power.

At the beginning of the 1960s, in Salisbury (now Harare), in Southern Rhodesia (now Zimbabwe), the government of Ian Smith hanged three black revolutionaries who had nevertheless been pardoned by the Queen of England. René Vautier, with ZAPU (Zimbabwe African Party for Unity), denounces this killing. Expelled by the Rhodesian police (informed by the French secret services), the filmmaker shoots a film in Algeria in the form of an indictment against colonial savagery. The film was first banned in France, then authorized in 1965.

A couple sets up an African game preserve, only to have British and Italian armies fight over the waterholes.