Third Eye

A TV documentary crew arrive on a remote island in the Philippines to film a survival special. Their back-to-the-wild adventure proves to be more terrifying than they ever could have imagined

This Filipino vampire film co-directed by Peque Gallaga and Lore Reyes tells the story of an aswang, the traditional shape-shifting creature of local legend. Here, the vampire makes appearances as a giant snake, a young woman (Alma Moreno), and a withered old hag (Lilia Cuntapay). The aswang has a lengthy cinematic history, having been the subject of the first sound film ever produced in the Philippines (1932's Ang Aswang) and migrating, in somewhat altered form, to films in Hong Kong, India, Japan, and, in 1994, to the United States. Aiza Seguerra co-stars with Janice de Belen, Aljon Jimenez, John Estrada, and Alma Moreno.

A family of bloodthirsty monsters descends on the city to take revenge on the man that caused the death of so many of their own.

With dark shades on and a burning cigarette between his lips, Makoy will do whatever it takes to get back his girlfriend Sonia, who’s pregnant with their child. He makes the trip to remote Pulupandan, her hometown, and is quickly rebuffed by Sonia’s mother Fely. But Makoy has never been one to give up. With the help of Sonia’s father Nestor and his ever-dependable helper Bart, Makoy stays in town to surprise Sonia on her birthday. But alas, Makoy gets into trouble with a group of townsfolk who transform into tiktik—horrific, man-eating creatures with a taste for fetuses that are still in the womb! They are angry, and they are hungry for revenge. Will their thirst for blood and retribution be quenched? Will Makoy finally get his act together, protect Sonia and their baby, and once and for all prove himself worthy of their love? Who will win in the battle between men and monsters?

A Manila professional determined to unearth the mysterious disappearance of her younger brother. Plagued by guilt over neglecting and ignoring the needs of her brother, she takes a bitter and scary journey to the island of Panay where her brother was last seen. On her way to the dreaded town of Panitan, Maricel runs into a group of students who are on a research project to disprove the existence of witches in that town.

A group of unsuspecting teens are menaced by assorted creatures from Philippine mythology. The screen eventually becomes a virtual peep-through Jurassic Park of horrifying creatures from the netherworld.

The director 'Hyun' hire 'I', an ex-convict, as a cameraman to make a new project called 'criminal experience'. He hires actors, sets everything up like a movie, and then exerts actual violence.

Five members of college archeology team are tapped by the worst blizzard in a century in a haunted insane asylum, only to discover that they are not alone.

Five kids wake up in a world where everybody has disappeared.

A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.

Unaware of its terrible history, a young couple purchases their dream home. But it soon becomes clear that they may not be alone in the house... and that someone -- or something -- is determined to drive them out.

Underneath this nice sleazy-looking box art that has absolutely nothing to do with the films, comes this cool & bizarre little Horror/Thriller anthology thingy called Final Destinations, featuring 4 different macabre tales with "the road" being a general theme, as they all have some driving or vehicles involved in the stories. Playing out like the Twilight Zone or a "Tales From..." with plenty of black humor in the mix, they're all actually pretty interesting and quite well-made considering the small budgets I imagine the filmmakers were working with.

In a post apocalyptic world where vampires and witches rule, a male vampire falls in love with a human man, and wants to make him immortal.

A group of student want to challenge themselves by entering the most haunted building of their school, which is forbidden.

98% is an organization for the disabled, raising funds by online broadcasting. Jung-min, the lone non-disabled person, controls and supervises them as 98%’s representative. Jung-min embezzles donations for disabled people for personal gain and gaslights them through violence and illegal (sex offenses) filming. One day, a member(Ji-yoon) of 98% refuses to be filmed, so Jung-min goes in search of her. The person who appeared in front of Jung-min was not Ji-yoon, but Eunhye, a deaf girl he had never met before. Jungmin invites the beautiful and charming Eun-hye to become a new member of 98%, and he takes her to the filming location, an abandoned factory. Thanks to Eunhye, people donated a lot of money. However, the delight of money flowing in was short-lived because the members of 98% protested against Jungmin for his wrongdoings, and Eunhye suddenly disappeared. Where is Eunhye? Why are the members of 98% suddenly become disobedient?

A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.

A reporter on the trail of a sinister cult wakes up in a morgue to find herself a member of the undead. She goes on a personal vendetta for a group a cultists that are responsible for her death.

Bound by hate and a mystical amulet that holds the powers of life and death, two immortal wizards meet for the last time in an ancient struggle of good versus evil.

Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.