In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.
A musical portrait of the ethnic minorities of the Crimean peninsula, it explores the sonic diversity from this unique land.
For the first time, this documentary includes two exclusive interviews with Vladimir Putin and full details about actions in Crimea during spring 2014. These events determined the history of modern Russia. The President talks frankly and openly about the challenges and risks that Russia faced during that time. This film provides the Russian view of the situation. It is impossible to form a complete picture of the world without it.
The nature of the Crimean peninsula is beautiful and diverse - here you can find numerous caves, grottoes, bays with cozy beaches, as well as unique salt lakes - azure blue and pink reservoirs with salt water. They are a source of cosmetic and food salt, as well as medicinal mud.
The film is a story about the officers, soldiers and seamen who did not betray their oath of loyalty to the people of Ukraine and their first hand accounts about Russia's invasion and annexation of Ukraine's Crimean Peninsula. They continue to fulfill their military obligations on land, on sea and in the air today.
Documentary film about war crime — annexation of Crimea by the Russian Federation.
The documentary "Crimea. Liberation" tells the story of a special operation of the Security Service of Ukraine in Crimea in 1994, which lasted more than three months. Back then, the SBU's Alpha special unit stopped a rebellion by Russian proxies who sought to separate the peninsula from Ukraine overnight. The film features the direct participants of the special operation: the first Head of the Security Service of Ukraine, Yevhen Marchuk; SSU Lieutenant General Vasyl Krutov; SSU Major General Vitaliy Romanchenko; SSU Colonels Serhiy Ropaev and Pavlo Dubrov, Colonel Ivan Yakubets, as well as Valeriy Kozyarsky, Refat Chubarov and Oleksandr Paliy.
Nazi-occupied Crimea, 1944. A boy named Itzhak turns to Saide Arifova, a local Tatar Muslim woman, for help, explaining that he and a group of other Jewish orphans are hiding from the Nazis. Arifova faces a moral dilemma: should she try to help them or save herself by refusing? Despite the impending danger, she decides to protect the children by hiding them in plain sight, and disguising them as Tatars and adopting them into the local community.
The crew of Ukrainian NAVY minesweeper U311 "Cherkasy" is resisting seizure of the vessel by Russian army in Crimea in 2014.
At a popular vacation destination in Crimea every evening the entertainer Lyudmila Pashkova hosts "Where are you, talents?" - a friendly competition designed to amuse vacationers. Michael Gudkov, a vacationer from the northern Russian city of Murmansk, takes up the challenge performing his favorite song "My Female Sailor". In spite of a well-received performance the host did not award a victory to him. Feeling slighted Michael decides to compete every evening with his song until he gets his well-deserved prize becoming a favorite fixture of the local competition.
Human rights activist and political prisoner Mustafa, who became known after his 303-days hunger strike in prison, is exiled to Siberia to work at an oxygen station. Three people across the country were headed towards him, each with very different goals.
Whilst the first shots ring out between pro-Russian government forces and members of the opposition in the winter of 2013, young Nina leaves Crimea. She was raped by a corrupt policeman, her friend was killed, and now she seeks refuge with the protesters on Maidan Square. Revolutionary chaos prevails, and it‘s not at all clear who remains loyal to whom and which means can be regarded as legitimate in the struggle for freedom. Ultimately Nina and her tormentors come face to face again and the spiral of violence is stepped up a further notch. The film was shot to a genuine backdrop, the result of which is a multifaceted allegory on the tragedy currently playing out in Ukraine.
A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.
The film tells about the tragic date in the history of the Crimean Tatar people — May 18, 1944 — Stalin’s deportation of the Crimean Tatars. The plot of the film — a pilot, twice Hero of the Soviet Union, Amet-khan Sultan. In May, 1944, a year after the liberation of Sevastopol, Amet-khan goes on vacation to his native town Alupka. On May 18 his eyes witness the beginning of the deportation of the Crimean Tatars.
Dismantling the home of some who is no longer here is an act of love, of memory, of mourning. July passed away recently; the camera moves around her apartment and is placed on a series of objects that act as keys to open the door to her intimacy. The voices of those who have loved her guide us while they try to prolong the farewell. In the memories they evoke, to some people July is still Julio, and those names and pronouns that blend reveal the difficulties of embracing one’s identity as a trans woman. During the journey, July’s figure is slowly brought to life, as in an invocation, called on through words, but mainly through her spaces, her things, her photographs, her wigs, her clothes, her favorite music. And a biography is weaved together, one which, like that mirror that still hangs on her wall, reflects the history of an entire community.
In a world where technological progress is conceived as an arrow pointing forward, why do some people insist on continuing to work with equipment others refer to as obsolete? Analog Thinking answers that question by documenting the meticulous work of those who choose that path. The screen becomes filled with wonderful objects—optical toys, cameras, projectors, film stock cans, moviolas… And the testimonies from those creators invite us to discover a universe that has a lot to do with both craftsmanship and the collective experience—an instance of thinking with your hands that is only possible with curiosity and patience. And among the words, practices and artifacts, Analog Thinking also saves a place for the images that are born from all of that. And it reminds us that, even in this digital age, they still have a lot to teach us about waiting and making mistakes, surprise and beauty.
Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.
BRYCE BEGINS gets you closer to Washington Nationals superstar Bryce Harper than ever before. At age 17, Bryce was selected as the first pick in the MLB Draft and at 19 won the NL Rookie of the Year Award. This gripping documentary follows Harper throughout his historic journey, with behind-the-scenes access to his family, and rare footage from the years leading up to his Major League debut. From 3 Penny Films and Major League Baseball Productions, BRYCE BEGINS takes you on a journey with of one of the game's greatest prospects -- who became one of its greatest players.
Set in the heights of the Bolivian Andes, Mamachas del Ring is the story of Carmen Rosa the Champion, an indigenous woman who struggles to make it on her own in the male-dominated world of Bolivian professional wrestling.