Soup

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?

On Motunui, Maui tries to catch a fish with his magical fishhook, only to be comically foiled by the ocean.

An adventurous young boy discovers that puddles can be portals to a fantastical world, but struggles to get his sister's attention away from her phone to see the magic in the world around her.

Grim desperately needs one more soul to win his work competition, but his last scheduled collection at a rigorous bike race turns his world upside-down. At the finish line, he learns that life is not always about the trophy at the end of the race.

Hezarfen is a historical Turkish character. The story takes place in 1632 in Istanbul, where he will attempt the first flight of the human being.

Why won't the light turn off?

Chedly

Jack and Mary (and their dog, Rags) are walking down the street when a talking car stops them and begins lecturing them about traffic safety.

About a bat that could not decide whether it was a bird or an animal, and remained alone. Based on a Mongolian tale.

What happens when a little girl decides to save the dinner she refused to eat?

The second of three pilot shorts that eventually became the 1989 movie Little Nemo: Adventures in Slumberland.

Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.

Karin and Peter have been married for almost 15 years. From the outside, they seem happy, but behind the closed doors of the house there is a repression. Then the dog Orion steps into their lives ...

A French animated short film delves into a family living in Harlem's black ghetto, where a girl faces the choice between freedom and death. Features music by Johnny Otis.

A family spending their holiday at the Costa Brava. The older brother's belief system will be disrupted when an act of kindness results in a little tragedy. This will lead him into a routine where refusing to make decisions could lead to greater tragedies.

Darma is a visceral and unflinching short film that confronts the dark realities of abuse and power. With its brutal and blood-soaked sequences, the film delivers gripping action that heightens adrenaline, supported by dynamic and precise camera movements. At its core, Darma explores sexual abuse committed by those in positions of authority, individuals who not only perpetrate violence but also manipulate systems to conceal their crimes. The narrative also reflects on the power of media in shaping public opinion, and how such coverage can deeply affect the psychological state of survivors. With a runtime of 14 minutes, Darma is both urgent and impactful, pulling the audience into an uncomfortable yet necessary confrontation with truth, silence, and justice.