humming, fast and slow

Grandad was a romantic. He once saw a picture of Granny and realised that she was the love of his life. One day he decided to go meet her.

Toast is pining after his lost love, Egg, having made the mistake of copping off with a slice of salami.

Triumph and collapse of hope - the whole life of the Russian scientist Nikolai Miklouho-Maclay passes in an instant, at the last moment of earthly existence... Two worlds: the world of civilization and the world of nature exist simultaneously, next to one planet, but it seems that the distance between them is like from Earth to the moon. The film uses drawings and diaries of Nikolai Miklouho-Maclay, whom the Papuans called the "Man from the Moon" and revered as a deity.

The tale of the poor boy Ciccio, the magic globe and the Blue Fairy, who defeated the wicked witch and returned the globe to people that fulfills good wishes.

An extraterrestrial tries in vain to establish contact with scientists on Earth. Unfortunately the first human he meets is Akimych the forester who doesn't believe in miracles.

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

My name is Lilith. I am the first woman, created alongside Adam. My encounter with Eve will shatter every stereotype that we’ve been trapped in.

A statue that dreams and a very special robot cleaner that works in the museum.

Will the sweets find their way home?

Visionary director Quentin Tarantino had a dream of a Kill Bill chapter that never made it to the silver screen, a chapter known as "Yuki's Revenge." Over twenty years later, Tarantino and Epic have come together to bring the story to life in Fortnite.

Anto travels to the depth of his most beloved memories with Julián. He must cross the threshold of the loss of a loved one.

Injured and in trouble, Detective Dekton is following the last clue he has left, to finally discover what happened to his partner Gary and his mysterious disappearance. Now he will have to break some rules and betray his own principles if he wants to get to the bottom of things. On your way you will run into characters who may well help you, or harm you.

The movie is about two coyotes who fight among themselves to gain a little bit of food, all this happened in the middle of the desert. The genre of the work is a tragedy, inspired by the ancient stories of Greek literature. The music that accompanies the film is performed with pre-Hispanic instruments such as the flute, the sonaja and the drum.

Last Hunt

After a diving excursion in the middle of the ocean, Lindsey is viciously sexually assaulted by Bruce, her instructor. She fends him of and they fall overboard into the water. Bruce grabs her and sinks her to the depths of the ocean. In this spiral of violence, she has no way to breathe.

Augusta tries everything in order to make herself look beautiful.

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.