Peachskin

Japanese silent film.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

Directed by Yuri Zhelyabuzhsky.

Released in five parts (The Persecution of the Children of Israel by the Egyptians, Forty Years in the Land of Midian, The Plagues of Egypt and the Deliverance of the Hebrews, The Victory of Israel, The Promised Land), 4 December 1909 to 19 February 1910. A Vitagraph advertisement in the Moving Picture World (31 Dec. 1909) refers to The Life of Moses as a "Biblical Film-de-Luxe". It is preserved in the Library of Congress collection.

German silent film

During a wedding party, according to tradition, hide-and-seek is played in a local abandoned castle. The bride falls into a hidden corridor. As she enters a room, the door falls shut behind her. Inside, she finds a dead woman and a book that says she cannot get out of here. However, a cat taking her scarf outside is her salvation. The cat puts the searchers on the right track, and the groom finds his bride.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

The Beast in Man

A Jewish tannery worker, Nahum Beychik, invents a machine that makes hard work easier in leather tanning. A private entrepreneur, former kulak Lopatin, tries to buy the invention and use it for his own selfish interests. Having met with a decisive refusal from Nahum Beychik, the kulak exploits the anti-Semitic sentiments of the backward part of the workers and, with the help of his accomplices, hooligans and truants, tries to kill the inventor.

A woman's daily routine going to a bus stop.

A petty thief who robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, is finally caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother. However, he must first promise not to kill his wife while he is out of prison.

Everything he did seemed to be misconstrued, except by the little lady he loved. The town roisters made fun of her and his love. That made trouble and the chief vigilante believed him the cause of it all. So he was "in wrong" all around. The girl's father also sided with the opinion of the world, and sent both the boy and girl away. Mother was on a visit at the time, and therein the need of such a one at home was proved, for once back she sent the father out to bring them home again. The boy in the gold hills had been misunderstood again. Marauding merchants had left their victim on the mountain pass and the boy, coming on the scene, was again accused, but the lie in the end destroyed itself.

Calumny is one of the most despicable crimes against our neighbor, and while the wife in this story acted conventionally, she nevertheless maligned the other woman simply because of her profession, an actress. While out on a shopping tour, the wife and her husband enter a store, leaving their little child in the auto in the care of the chauffeur. This gentleman pays but scant attention to the child, so the little one wanders off and strolls into the stage door of a theater during the matinee. The parents upon their return to the auto discover the child's absence and trace him to the theater stage, where they find him in the arms of one of the show girls. The mother matches the child from the girl's arms, scornfully exclaiming, "How dare you contaminate my child with your touch?" For this remark, together with the derisive laughter it occasions, the girl vows to be avenged.

A widower and his two daughters live in the wilds of the north woods. They form the acquaintance of two trappers, Bob Cole and Jim Watson, who hunt in the neighborhood. As fate will have it, both trappers love the same girl, the elder sister, but she loves Bob, while the younger girl is attracted by Jim. The elder girl, however, through a woman's whim, pays marked attention to Jim simply to arouse jealousy in Bob. He, in temper, cannot reason her motive and leaves, so through pique she accepts and marries Jim. Later Bob revisits the place, feeling that the girl loves him best, and tries to induce her to go away with him. He finally succeeds and, as you may imagine, fate brings about justice.

As the husband leaves for the lumber regions, his wife gives him a memory message to be opened after his arrival. Attracted by a maid, cherished by the love of two old brothers, he forgets it until sometime later. The message serves its purpose, however, for through it, after a thrilling experience, the maid learns the true value of the man's love, while he in his turn, goes back to his waiting wife and finds there, along with his shame and regeneration, his heart's desire.

Knocked down by an automobile, the intoxicated tramp is taken to the doctor's house, received and treated to a square meal. The husband of a patient has just died, calls on the doctor, intending to kill him. The grief-crazed man is foiled several times by the return of the tramp, whom the maid at last pushes out of the house. She hears the doctor struggling with his assailant and faints. The tramp hears the doctor's cry for help and enters by a rear window, despite the objections of a policeman, in time to save his benefactor.

19 remastered French short films from the 20's. After the horrors of the First World War, a sultry madness takes hold of the French society that no authority can stop. The clandestine cinema is commercialized at the back of specialized booksellers and whorehouses for very delighted customers, through short films. Costumed as priests and nuns, ballet dancers, satyrs, sparrow, apes, telegraph operator, in monk or in bellboy, never mind, everything is a pretext to describe love affairs which crudeness and humor have nothing to envy to the contemporary erotic cinema.

"What hast thou done? Listen, the voice of thy brother's blood crieth unto Me from the ground." Two farmers love the same woman, who can choose only one of them. The rejected suitor takes revenge, and causes the fatal accident of his rival.

Satan