The Round Table

Haitoku no mesu

Coco, a Beijing modern girl wants to spend a romantic and fancy Christmas vacation in Osaka. However the place where she gets in is Shinsekai ( "New World" in English, is an old neighbourhood located next to south Osaka city's downtown "Minami " area, as known as one of the most poorest and dangerous area in Osaka.)When she arrives there, she starts feeling regret and frustrated by the encounters and the landscapes which are far beyond her expectation. Suddenly she is involved in an incident surrounds a Chinese family there, meanwhile she starts fascinated by Shinsekai through her wondering. In this short and unusual Christmas vacation, Coco discovers a "Japan " she never knows and a "China" that she is not familiar with.

Despite his efforts of living a normal life as a banker, the life of Toru, the only son of the Yubari Family, becomes disrupted by trouble brought on by his father. When his father’s battle against his rival group the Miike Family ignites, Toru becomes more involved in the turf war than he wished for.

Naniwa Kinyudo - Haibara knocks on the door of Imperial Finance!

ナニワ金融道 2発目〜銭と泪と権利と女〜

A woman who runs a bar with her older sister has her life disrupted when she has a chance meeting with an old lover.

Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

A treasure appears in front of antique dealer Norio Koike (Kiichi Nakai) and potter Sasuke (Kuranosuke Sasaki). The treasure is Hideyoshi Toyotomi’s chawan (procelain tea bowl) called Houou, that has been missing.

Bullied for wanting to be an idol, Kenji finds belonging in a cabaret and help from a trailblazing doctor, emerging onstage as her true self, Ai Haruna.

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.

Busan, South Korea, 1970s. Lee Doo-sam is a small-time smuggler. After helping a drug gang to smuggle meth, he falls into the dark crime world. Quick-witted and full of ambition, he eventually takes over the drug underworld and starts to lead a double life: a good community leader during the day but an infamous drug lord during the night.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

One day, Chiho is asked to collect the rent from her grandmother, who has a bad leg. Chiho easily agrees and regrets it. The inhabitants of the flat are yakuza, host, robber, alcoholic, etc. They are all scum and they don’t pay the rent.

Ichijo Sayuri, once the legendary queen of Osaka strippers, has retired to run a sushi shop. She is awaiting her day in court after having been arrested for indecency at her farewell performance. While she was active, she was both the rival and the model for many young strippers. Harumi was one of them. Ichijo Sayuri was the real-life queen of Osaka strippers who was arrested on her final performance.

At midnight, in a residential area of Osaka, a middle aged man is murdered. The person who killed the man is a high school student. En is a 2nd grade high school student. She spends her boring days with her friend Kotoko, who tends to change boyfriends frequently. Kotoko falls in love with Narihira at first sight. Narihira is a soccer player at their high school. Since then, the relationship between En and Kotoko changes.