Over the centuries, explorers traded tales of a lost civilization amid the dense Amazonian rainforest. Scientists dismissed the legends as exaggerations, believing that the rainforest could not sustain such a huge population—until now. A new generation of explorers armed with 21st-century technology has uncovered remarkable evidence that could reinvent our understanding of the Amazon and the indigenous peoples who lived there. Using CGI and dramatic re-creations, National Geographic re-imagines the banks of the Amazon 500 years ago, teeming with inhabitants living in the Lost Cities of the Amazon.
A documentary film about Ancient Thrace.
Die verschwundene Welt von Honduras
The end of Trajan's Dacian Wars (106 AD), when south western Dacia was transformed into a Roman province: Roman Dacia.
Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.
Anitha, a government official, embarks on a journey to find Chandramouli, an archaeologist, who went to Vietnam to search for any existence of the prince of the Chola dynasty.
In an ancient temple, Bayu found a Keris embedded in stone. Because of his curiousity, he pulled it. Then some strange things happened! Bayu got powers to be a Mighty Warrior. Too bad that the Keris is also a seal to a ruthless giant called Asura. The giant who had been sealed for thousands of years now resurrected to spread terrors to humanity. Accompanied by Rani, his cousin and an old ape named Empu Tandra, Bayu must face Asura and the League of Shadows. Can his journey prevail?
According to his friend Polo the “Ober-Swiss,” Max is a spineless character who lives strictly according to conventions and is never satisfied with himself or the world. In truth, Max is fictitious – born out of the fantasy of the filmmaker Clemens Klopfenstein, who created him as his alter ego. Max falls in love with the impassioned Christine, but she jilts him within a short time because of his reluctant disposition. He thus takes a decision: to call upon the “master” in the hopes that he can liberate him from the interminably same role. Based on works by Clemens Klopfenstein, the compilation film emerges as a new, self-contained story, while rendering palpable the very essence of the filmmaker.
Il Grande Gioco-Centanni di Scoutismo
The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.
Chernobyl Forever
The jet set life of artist Nikki S. Lee.
Le Zapping - 20 ans (1989 - 1993)
Poetic documentary about the polar expedition of S. A. Andrée which Troell had previously dramatized in "Ingenjör Andrées luftfärd" (1982).
Alerte dans nos assiettes
Moi, la finance et le développement durable
The island of Sumatra is famous for its tobacco, as all lovers of the weed know. Its preparation, its growth and the various stages through which the fragrant leaves must pass, before they are ready for the smoker, form the interesting theme of this beautiful colored picture. The first scene shows the young plants growing close together, and the transplanting as they increase in size. The soil is poor for anything but tobacco, and one wonders how a good crop may be obtained in such poor land. We are shown, successively, the natives picking the largest leaves the inspection of the picking, and the natives carrying bundles of green tobacco to the tallying room.
Hardy trawlermen brave bad weather and rough seas off the coast of north-west England to bring in the catch.
In this moving short film, pop superstar Kesha shares the vision behind her 2017 album, Rainbow. An intimate portrait of her songwriting process and personal struggles—depression, insomnia, and an eating disorder—the piece follows her journey from hospitals and rehab to a triumphant performance of “Praying” at the 2018 GRAMMY® awards. “It’s called Rainbow because after the storm, there’s a rainbow,” she says in the film. “I wrote it as a message to myself that I could make it through.” The film includes music video clips, live performances, and footage of the singer writing and recording with Ben Folds, the Dap-Kings, and Sandra Williams.
For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.