The Automobile

An unknown actress lands the role of a lifetime in Rome. Paired with an American journalist writing a profile, she will discover surprises about love and life in the eternal city.

John is an eighteen-year-old Latino male prostitute, living in the poorest area of Hollywood, L.A. He often steals condoms and medicine from the local stores to support himself, due to his inexperience in the hustling world. Peaches is a black trans prostitute, who often helps John financially. Miguel is an older hustler who teaches John how to please men. John often spends his night wandering through the street, looking for older men to buy him for the night. His clients, men who come from all levels of society, share with John their stories and secrets.

Desperate for a job to help him support his family, Jim Norman takes a position teaching high school in the town where his brother was murdered in front of him by teenage bullies twenty-seven years before. The teens who committed the crime are long dead, but now the kids in Jim's new class keep dying and being replaced by new students who look like the deceased hoodlums.

Dispatched to a small Italian town to await further orders, assassin Jack embarks on a double life that may be more relaxing than is good for him.

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.

Rome, 1870. Opponents of the church power are being sent to prison. Some of the exhausted prisoners are asking for the mercy of Pope. Others, like Augusto Parenti, prefer to fight for their rights until the end. His wife, Teresa is a simple woman, who gets involved with the rebels.

Years after their teenage daughter’s death, Lois and Doug Riley, an upstanding Indiana couple, are frozen by estranging grief. Doug escapes to New Orleans on a business trip. Compelled by urgencies he doesn’t understand, he insinuates himself into the life of an underage hooker, becoming her platonic guardian.

Meet the Libner brothers: Marvin, the oldest, is a sergeant in the U.S. Air Force. Buddy, the middle child, is a timid dreamer. Bobby, the youngest, is a handsome rebel in reform school. As kids, they fought a lot and as adults, they barely speak. In the summer of 1963, their tough and eccentric father, Fred, gives them a task: to bring a 1954 Cadillac, bought for their mother, Betty, from Detroit to Miami. As the trip goes on, the three brothers fight and begin to reconnect with each other, while trying to keep the Caddy in mint condition.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.

A serial killer whose mother was a prostitute starts killing streetwalkers as a way of paying back his mother for her abuse.

Just days before Rhett (Chris Pine) is leaving for Nashville to pursue a lifelong dream of being a singer/songwriter, his girlfriend Samantha (Bre Blair) realizes that "his" future may not be "their" future. This news comes as a shock to Rhett, and he is faced with having to choose between following his dream and staying in his hometown in order to be with the woman he loves.

A twisted teenage prostitute and an equally deranged vicious killer manage to escape from the pen and embark on a non-stop orgy of violence and debauchery, all while hoping to make it across the border into Mexico in order to seek refuge with the mysterious Sister Gomez.

A feature film set over the course of one restless night in Beirut, the film follows Nuhad, who hires a struggling cameraman with his last US$ 300 to document what he believes will be a defining turning point in his life. As they drift through the city, a series of awkward encounters, impulsive detours, and disarming confessions begin to unravel his carefully constructed plan. What starts as a controlled narrative gradually gives way to something more intimate and unpredictable, revealing a tender, often darkly funny portrait of two men circling questions of purpose, identity, and connection. Grounded in the rhythms and contradictions of contemporary Beirut, the film balances humor and vulnerability, offering a quietly affecting story about the unexpected moments that can shift how we see ourselves and each other.

A pimp must investigate the sudden disappearance of his network’s most demanded prostitute.

Halil the greengrocer goes to a nightclub with his friends one day to break the monotony of his life. There he meets Sabiha, one of the women working at the club. They fall in love at first sight and begin living together. While Sabiha is making plans for the future with Halil, she learns a truth about him that she didn't know, and the forbidden love that began at the nightclub turns into a dead end filled with lies.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

On the Verge of a Fever

A young police woman is faced with the difficulties between her responsibilities at work and her personal responsibilities.