The Pink Auto

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.

In Search of Avery Willard iIlluminates the life and work of the groundbreaking, and mostly forgotten, artist Avery Willard — photographer, filmmaker, writer, publisher, leatherman, pornographer.

Danny ponders a way for rival gangs to avoid violence at an upcoming dance.

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"

As powerful and complex as is AKRAN, 37-73 is more taut, richer in associative meaning .... 37-73 is about dreams, about memory and its associations with nightmare and magic.

An alarm clock wakes a man who washes his face, has breakfast, drives his car to work, spins records, returns home, and takes his pills. It's a world of circles - often seen from above: an espresso cup, a stairwell, the pills, and the records spinning. At the dance where the music plays, the rhythms evoke images of a butcher slicing head cheese, gears driving other wheels and levers, a combine churning out bales of hay, a butcher cutting chunks of meat for a stew, and boxers punching. The circle of music and life.

Tonight, young Max is learning how to be an assassin...

Dirtpeople are living in misery until the Mighty Soap arrives, who washes them clean.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.

Deep Down redraws a descent into hell of a stripper called America, lost in the very depths of the U.S, taken away by a devastating love-story.

A very short film about members of a community who one by one suffer murder and assassination by various methods. So much sadness, pain, suffering, by children, mates, couples separated, friends lost. Fear and horror are always present, watching their loved ones being murdered, some in a slow deliberate manner, that will horrify the sensitivities of the tenderest among you.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1940.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1946.

Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

Documentary about the ten days the director spent in Moscow, during the 1986 Moscow Youth Festival, as kind of a gay delegate.

Alex and Gershon are both playwrights and lovers. Although Gershon is older and they are not both sucessful, they manage to maintain a long term relationship.