Tuna: A Fish with a Special Place in My Heart

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

Imagine a world of incredible color and beauty. Of crabs wearing jellyfish for hats. Of fish disguised as frogs, stones and shag carpets. Of a kaleidoscope of life dancing and weaving, floating and darting in an underwater wonderland. Now, go explore it! Howard Hall and his filmmaking team, who brought you Deep Sea and Into the Deep, take you into tropical waters alive with adventure: the Great Barrier Reef and other South Pacific realms. Narrated by Jim Carrey and featuring astonishing camerawork, this amazing film brings you face to fin with Nature's marvels, from the terrible grandeur (and terrible teeth) of a Great White to the comic antics of a lovestruck cuttlefish. Excitement and fun run deep Under the Sea!

Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage.

Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.

With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.

Le peuple du requin et moi

The DLFA was a haphazard assortment of young misfits unified by their unwavering pursuit of climbing, partying, and testing the boundaries of socially acceptable behavior. During the late 1970s and throughout the 1980s they established bold first ascents at Devil's Lake State Park and elsewhere in the Midwest. Their spirit of youthful nonconformity and brash rebellion is enshrined in the group's full name: The Devil's Lake Fukness Association.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.

This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.

A quiet island, lost in the pacific ocean. Nothing worth of interest, until the day a stroke of luck, phosphate, provided by the island's coral core, led the country to incredible heights: in 1975, it became the second richest country per inhabitant in the world after Saudi Arabia... Only to plunge into ruins a few years later.

Film director Branko Belan follows the journey of fishermen as they set out to catch tuna around the Velebit Channel.

A short, early documentary work showing insects exhibiting extreme strength and agility.

A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.

How a South Pacific love song touched hearts around the world.

A third generation NZ born Niuean Female surfer, visits her Island of heritage for the first time only to discover there is no surf on Niue. But Mella's visit opens her eyes to the island's other beautiful qualities, the magical water, warm people, and clean unpolluted land. However she also discovers the low population has left the countries future hanging by a thread. This documentary is a record of Mella's journey to regaining her identity and first steps at becoming part of the solution in Niue's restoration of itself.

Introducing a generation of young Africans determined to be the first free of AIDS.

One hour documentary about a special group of pacific islanders. The Lapita Navigators. The proud forefathers of many cultures in the tropical Pacific. They are losing their homes and crops because of sea level rise. Their livelihood and culture are dramatically threatened as the islands they live on are flooding day by day. By chance, a sailor, Steve Goodall, came across them on his travels and discovered they knew nothing about the current forecasts for sea level rise. Once informed they asked for his help. The outcome and conclusion of this story will be told in the context of an event celebrating their living culture, a culture at a cross roads of great importance for all of us.