Just for Today

The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.

A retired British soldier struggles to adjust to everyday life, with increasing difficulty.

Koyaa tackles everyday situations in his own wacky way.

The residents of Kampung Tirang live in dilapidated shacks just to earn for their next meal. The hardworking and reliable Turah has been appointed by the cooperative leader to tend to complaints or settle conflicts that arise in the village. Peace in the settlement is disrupted when the alcoholic Jadag starts questioning the governance of the village. His accusations towards the leaders soon land both Turah and the whole village into further trouble.

Ahmed drives through the derelict nightscape of Cairo, anxious to secure money to pay for an abortion for a young woman - a procedure that must take place immediately. He comes across an intriguing group of young people, led by a woman who aims to solve the enigma surrounding a giraffe rumoured to be hidden at the Cairo zoo. As an absurd chain of events unfolds, Ahmed is distracted from his mission

Yuuta and Rikka are in their third year of high school. One day in Spring, Touka declares that she will take Rikka to Italy with her, as her job has stabilized there and thinks they should migrate together as a family. Touka is also worried about Rikka not being competent enough to advance to universities in Japan. The gangs from the club suggested Yuuta, who doesn't want to be separated, to elope with Rikka!! A runaway drama throughout Japan begins.

This is a reconstruction of the daily life of an ordinary family. With kindness and gentle humour, the film reveals the relationship between the older and the younger generation. The original concept of a short film study with authentic characters of the Ravager family grew into a feature-length picture on the border between a documentary and fiction. It was made as an improvisation without a previously approved screenplay in the course of only twenty days.

a short movie showing a day in the life of Egyptian middle class clerk in early 1970s.

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

At the peak of his mid-life crisis, Swiss filmmaker Stefan Keller is forced to take on a side job out of financial necessity. Consequently, he finds himself travelling throughout Switzerland as an anonymous youth hostel tester just before Christmas. Thus begins his odyssey: Stefan is in desperate need of a story; he struggles with his failed relationship; and chance acquaintances force him to face the meaning of his existence.

Anthology film with a number of sketches that satirize modern Greece.

Set during a period of depression, the film chronicles the daily lives of a single urban building split up into several separate units, and the actual people that dwell within.

Scenes from holiday life at Lake Balaton in Hungary during the communism.

A portrait of Maggie, through Swedish everyday life. Maggie always co-ordinates high heels with a beret, and she loves gold. She lives on the 15th floor in one of Malmö’s suburbs. Her balcony is littered with reminders of her previous life. Under a golf bag, next to a racing ticket from 1999, are the remains of a pigeon that she killed when she couldn’t sleep.

Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

Frankie is an emotional train wreck, careening around the East Los Angeles music scene drinking and meeting strangers. Lev is a taciturn and tormented soul. He drives a limo and wants to work in the music business. They begin a relationship after they connect with each other one night at a party.

The unbearable mundanity of being? Yes, the strength of what is eternally equal, a burden on our very lives. An empty discourse in favour of an order that grants nothing, but conformity. A thinking and acting dedicated to arrogance, to the sublimation of what he does not want to change, because he is too stable. The same inertia that, every day, takes a life; and returns a death. No, here there is no passion, no crime, there is nothing, but a method to try not to perceive subtle changes... There are no more poets or philosophers, nor even people; this whole vast world is made up of masked faces, in silence, before the very drama that, in their dreams, they would like to realize.

30 days and 30 nights of a Swedish man's life in 60 seconds.

Ana, a Portuguese actress, dives into Brazil's current atmosphere of identity and political crisis while trying to portray in a feature film the colourful life of famous singer and actress Carmen Miranda, who helped define Brazil's identity.