Seil und Tau Fabrikation in Howrah bei Kalkutta

"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.

A travelogue about India. But it is more than a video about a foreign place. We follow the director's itinerary and witness his chance encounters with people and also public events, some of which continue to shape India's politics today.

Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.

Life on the road in India, showing the traffic, people and animals.

Hindu temples at Benares and Belur and the mythologies associated with them.

Attractive travelogue filmed in and around Delhi's Qutb complex.

Gorgeously dreamlike colour images of (then) French India – present-day Puducherry.

Remarkable amateur footage of Mahatma Gandhi shot by his great nephew in 1947.

The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.

A Dream Trip Across India Some kilometers from Bombay, the Indian megalopolis, lost on a hill of Bollywood, is the grandiose set of a vast temple with a magical touch, reminiscent at the same time of an Indian shrine and an ancient Inca temple. Inside, Ten Ford Mustangs are waiting. Ten Ford Mustang with an incredible pedigree: Bullitt GT390, Shelby GT500, Shelby GT500 KR 1968... the deep sound of a gong resounds, the doors of the templeopen launching the first edition of the Maharajah of the Road. At the wheel of the ten Ford Mustang, passionate people coming from all over the world: Indian, French, American, Italian, Lebanese... they are business men, automobile designers, manufacturers, artists… From Mumbai to Jodhpur, a 2.000 kilometres tour will lead our Mustangs through India. From the Rats Temple in Deshnoke city to the thousand-and-one palaces, the two princesses will show the Rajasthan to the adventurers of the road in an eventful trip...

Repping best view to date into the world of the Indian eunuch, “Between the Lines: India’s Third Gender” may not answer all the questions it poses, but helmer Thomas Wartmann provides an intimate glimpse at a community whose members are considered pariahs and conduits of supernatural force. Following shutterbug Anita Khemka in her quest to discover why these castrated men fascinate and repel, docu concentrates on three personalities and uses them as guides to their highly stratified world. Under its nautch skirts, film has strong enough legs to step out into international arthouses.

Herzschlag der Kontinente

The Little Ballet Troupe of Bombay performs a "puppet ballet" of the Hindu epic, the Ramayana.

India's forgotten people

Meena is a documentary film about sex trafficking in India based on a true story.

Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.

Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.

In the holy city of Varanasi, 16-year-old Ali has one of the most dangerous jobs in the world – catching poisonous snakes. The boy balances life and death on a daily basis to support his family.